Brit Lit
Survey: 1790 to Modern Day
Course Guidelines
"Once, not that long ago, if a man or woman shook you by the hand, offered you gifts,
you would have reason to expect
that he, she, would not kill you at the next meeting
because the idea had just that moment come into his head . . ." (205).
Doris Lessing's The Memoirs of a Survivor (1974)
the basics / course goals
/ path
1 / path 2 / miscellany
THE
BASICS
English 231: Masterworks of Brit. Lit. from the Late
18th century to the Present (4) GE C1
thematic touchstone: Apocalypse and Dystopia
class time & location:
M/W, 8-10 a.m. (bldng 34, rm 228) & 12-2 p.m. (12:00-2:00 p.m. (bldng 2, rm 13)
instructor: Dr. Paul Marchbanks
email: pmarchba@calpoly.edu
office: 805-756-2159 / building 47 (the "maze"), hallway 35,
office A / available
hours
home: 805-593-0192 (9 a.m. to 9 p.m.)
The horrors accompanying war, revolution, disease, and governmental repression in the late eighteenth and early nineteenth centuries set fire to the western imagination, sparking dystopic narratives like The Last Man (1826) that imagined how the human race might respond to still more catastrophic crises spread across a larger, sometimes global stage. The template established by Mary Shelley and her ilk developed a strong hold on the cultural consciousness, inspiring numerous novels, short stories and, more recently, television shows and films that together share a preoccupation with the question of humanity's ability to survive in the face of complete and utter disaster.
It is a question sharpened in the modern period by the menace of nuclear weapons, terrorism, global warming, new viruses, and--most recently--profound economic dysfunction. This course will examine such pressures--as imaginatively magnified tenfold--in the works of British poets, novelists, and comic book writers. It will do so by pairing the in-class discussion
of poetry and fiction ("Path 1" readings)
with out-of-class reading of and engagement with a subset of novels and graphic novels ("Path
2" readings).
COURSE GOALS
- to promote
close reading and analysis
- to develop visual as well as text-based literacies
- to
augment student recognition of tone and voice
- to
hone critical thinking, writing, and argumentation skills
- to deepen
students' comfort with public speaking through class
discussion and reading aloud
- to
cull ideas from and analytical methods inspired by other fields (e.g. psychology,
sociology, architecture, philosophy) and employ them in literary analysis
- to encourage
the technologically minded student to consider what literature might possibly
accomplish better than other, faster means of conveying information
- to
combine a socio-historicist and stylistic overview of traditional literary
periods as they pertain to dystopic images and narratives
PATH 1: In-Class
Discussion and Exams
Materials (purchase
these editions)
- Modern Utopias: Thomas More: Utopia / Francis Bacon: New Atlantis / Henry Neville: The Isle of Pines (Oxford World's Classics) Ed. Susan Bruce. 2009. ISBN-13: 978-0199537990
- Mary Shelley's The Last Man (1826). Oxford Univ. Press, 2008. ISBN: 0199552355
- H. G. Wells's The Time Machine (1895). Dover, 1995. ISBN: 0486284727
- Doris Lessing's The Memoirs of a Survivor (1974). Vintage, 1988. ISBN: 0394757599
- P. D. James's The Children of Men (1992). Vintage, 2006. ISBN: 9780307275431
- Alan Moore's & Dave Gibbons' Watchmen. DC Comics, 1995. ISBN: 0930289234
Assignments
- participation
& class
discussion (9%--3 grades of 3% each, awarded at 3, 6, and 10 weeks). Grades will be determined by: 1) frequency and quality of participation during class discussion and group activities, 2) apparent familiarity
with Path 1 assigned readings (readings you have remembered to bring to class), 3) timely arrival to class, complemented by infrequent departures during class, 4) turning off and avoiding use of cell phones, 5) staying abreast of course updates (check the website & your email regularly)
- for sec 70 only: mandatory attendance at performance of "James Joyce on Stage": Thursday, May 7th, 8-10 p.m., building 6, room 124 (Philips Hall in the P.A.C.) Dr. Matthew Spangler will perform dramatic interpretations of Joyce's "Counterparts" and "A Painful Case." Free to the public.
- pop quizzes
(11%): eleven orally delivered, randomly scheduled quizzes will be given,
often (not always) composed of five questions each. Questions will occasionally draw
from daily "points of reflection" posted before each day's meeting.
Receiving 1 pt on a quiz requires correctly answering three of five questions, unless the quiz requires a short essay response. Pop quizzes can cover both the current
day's materials and those from the previous class period. Missed quizzes cannot be made up at a later date.
- midterm exam
(10%): an in-class, 45-50 minute exam composed of passage I.D.s and short answer questions. Date: Monday, April 27th.
- final
exam (20%): a comprehensive evaluation composed of I.D.s,, short answer
questions, and one essay. Dates: Engl 231.01 on Monday, June 8th (7-10 a.m.) and Engl 231.70 on Wednesday, June 10th (10 a.m. to 1 p.m.).
- attendance: given the relative infrequency with which we meet, and the brief duration of the quarter system, missing class will begin to hurt your grade almost immediately. You get one absence free. Your second absence will cut 1 pt from your final grade, your third absence will cut 3 more pts from your final grade, your fourth absence will cut 5 more pts from your final grade, etc. In other words, 3 absences will remove 4 pts from your final grade, 4 absences will remove 9 pts from your final grade, 5 absences will remove 16 pts from your final grade, etc. Excused absences are difficult to come by. (Doctor visits, for instance, will not earn you an excused absence.)
PATH 2: Outside
Research and Writing
Materials
- Group 1
- José Saramago's Blindness (2008). Mariner, 2008. ISBN-10: 9780156035583
- Brian K. Vaughan and Pia Guerra's Unmanned (Y: The Last Man, Vol. 1). Vertigo, 2003. ISBN-10: 1563899809
- Group 2
- George Orwell's 1984 (1949). Signet, 1916. ISBN: 0451524934
- Hiroki Endo's Eden: It's An Endless World (Vol. 1). Dark Horse, 2005. ISBN-10: 1593074069
- Group 3
- Anthony Burgess's A Clockwork Orange (1962). Norton, 1986. ISBN: 0393312836
- Dave Gibbons's The Originals (2006). Vertigo, 2006. ISBN-10: 1401203566
- Group4
- Aldous Huxley's Brave New World (1932). Harper, 2004. ISBN-10: 0060776099
- Alan Moore's & David Lloyd's V for Vendetta (1982-85, 1988). Vertigo, 1995. ISBN-10: 9781401208417
- Group 5
- John Wyndham's The Chrysalids (1955). NYRB, 2008. ISBN: 1590172922
- Chris Clarem0nt's X-Men: God Loves, Man Kills (1982), Marvel, 2011. ISBN-10: 0785157263
- Group 6
- Richard Matheson's I Am Legend (1954). Tor Books, 2007. ISBN: 0765318741
- Robert Kirkman's The Walking Dead: Compendium One: Vols. 1-8 (2003-2007, Vol. 1-4), Image Comics, 2009. ISBN-1607060760
Assignments
- short
essay responses (20% of grade, 10% each): each student will belong
to a group of 4-5 students assigned to 1-2 dystopic works.
Students in a given group will engage their touchstone texts through two short essays of 400-500 words. Multiple
writing prompts will be provided each week during weeks 4-6, and students
will respond in writing to a total of two prompts across two separate weeks. These compact
essays should be creative, focused, highly structured, and supported
by appropriately detailed evidence. Essay responses should be copied and pasted into the appropriate Blackboard forum by 11:59
p.m. the Thursday after an essay prompt has been assigned. Go here for
strong sample essays. Please turn in essays and the term paper the day they are due. Late essays will lose 1 pt/day. Be sure to complete essays during weeks your group has decided not to meet with me for a discussion session.
- term
paper (20%): students will construct a 4-5 page argument (6-7 pgs, w/ secondary research, for sec 70) after completing their Path 2 text(s), a slightly longer argument which responds to one of the various writing prompts available in week 7. This paper will be submitted as a Word (.doc) file to Dr. Marchbanks via email by 11:59 p.m. Sunday, 24 May. Papers will be double-spaced, retain 1" margins on all four sides, employ a Times New Roman 12-point font, and follow MLA guidelines for formatting, in-text citation, and creating appropriate citation entries in a separate Works Cited page. Those in sec 70 will list not only the 1-2 primary texts they have read as part of their Path 2 reading, but the secondary sources they have employed. Use a Times New Roman, 12 pt font with 1" margins top, bottom, right and
left (1" is not the default margin in Word, so you'll need to
change it.) Please turn in the term paper the day it is due. Late essays will lose 5 pts/day.
- small
group
office
visit (10%
of grade): each student must participate in one half-hour,
small group discussion session during either week 5 or week 6; meetings will take place in my office (or, if on Sat., at my home). Each such session must include every member of your Path 2 group. Please go here to
choose a block of time which works, then email me with your selection. Those individual students who demonstrate profound familiarity with the Path 2 reading, and turn to particular passages to support their assertions during discussion, will earn the highest scores. Be sure to schedule your group's session for a week you have all decided not to write an essay.
- extra credit film discussion (1-2 pts added to final grade): students who choose to discuss film adaptations with Dr. Marchbanks following either a personal viewing on their own or the screening their Path 2 group schedules at my house can earn an extra credit point--to be added into their final course average (up to 2 points is possible, but rarely awarded). To maximize the credit earned, show up to the screening 5-10 minutes early (so we can start on time), bring your book, and know the book well enough to talk authoritatively about the filmmakers' interpretive choices.
MISCELLANY
Grading: go here for an elaboration of terms used below
A =
94-100
A- =
90-93 |
A (18-20 on 20-pt scale, 5.4-6.0 on 6-pt scale): creative, topically focused, tightly structured, supported with the most convincing evidence, and virtually error-free |
C+ =
77-79
C =
73-76
C- =
70-72 |
C (14-15.9 on 20-pt scale, 4.2-4.79 on 6-pt scale): a relatively focused essay with clear sense of progression from one idea to the next; argument bolstered by some supporting evidence; distracting number of grammatical errors |
B+ =
87-89
B =
83-86
B- =
80-82 |
B (16-17.9 on 20-pt scale, 4.8-5.39 on 6-pt scale): topically focused, tightly structured, supported with solid evidence, and containing just a few stylistic or grammatical bumps |
D =
65-69 |
D (13-13.9 on 20-pt scale, 3.9-4.19 on 6-pt scale): topic clear but ineffectively argued; evidence provided tangentially relates to argument; loose sense of structure; profound difficulties w/ grammar |
| |
|
F =
0-64 |
F (0-12.9 on 20-pt scale, 0-3.89 on 6-pt scale): little evidence of effort, or contains plagiarism |
Contact
Take advantage of my frequent availability throughout the week. Go here to find an open slot, then email me to reserve that time for an office visit. The fastest way to contact
me if you have a quick question is via email. You can also reach me in my office at 805-756-2159, or in the evening (before 9 p.m.) at 593-0192.
Writing Lab Center
Experienced writers at the University Writing & Rhetoric Center offer free assistance with writing
assignments for any course. Using this service will improve even the best writer’s
output. Visit their website to schedule
an appointment in advance of your desired date.
Plagiarism and the Honor Code
I encourage you to improve your writing with the help of peers, instructors,
and myself. Remember, however, that all work
you
submit must be your own. Any paper containing borrowed but undocumented thoughts
or words will receive a failing grade, and I am obligated to
report all instances of plagiarism to the Vice President
of Student Affairs. Let
me know if you have further questions concerning this important issue.

"The Burning Houses of Lord and Commons" (1834)
J. M. W. Turner
Dr. Paul Marchbanks
pmarchba@calpoly.edu