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| 1 |
The Marble Faun takes place
in ... |
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Greece |
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United States |
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Italy |
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England |
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| 2 |
There are ... major characters in The
Marble Faun. |
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4 |
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2 |
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6 |
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3 |
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| 3 |
... has a striking resemblance to
the Faun of Praxiteles. |
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Hilda |
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Miriam |
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Donatello |
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Kenyon |
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| 4 |
... comes from a New England Puritan
family. |
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Kenyon |
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Hilda |
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Miriam |
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Donatello |
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| 5 |
Donatello is romantically interested
in ... |
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a young waitress |
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Miriam |
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Hilda |
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a princess of a royal family |
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| 6 |
... past is the most mysterious and
unknown. |
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Miriam's |
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Hilda's |
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Donatello's |
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Kenyon's |
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| 7 |
... is a young American sculptor of
high promise. |
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Kenyon |
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the model |
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Hilda |
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Miriam |
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| 8 |
... is young and has "many
agreeable characteristics," but isn't very "intellectually brilliant." |
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the model |
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Donatello |
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Miriam |
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Kenyon |
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| 9 |
In chapter IV, Miriam briefly got
lost in ... |
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a museum |
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a catacomb |
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a cafe |
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Rome |
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| 10 |
Miriam's studio can be described as
... |
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peaceful. |
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high above the city line. |
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in the heavens. |
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shadowy, sunless, and obscure. |
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| 11 |
In Miriam's studio, Donatello first
sees her drawings and responds ... |
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by smiling and giving encouragement. |
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because he is polite. |
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by comparing her to other artists. |
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with a shudder, and a look of trouble, fear, and disgust. |
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| 12 |
Hilda's studio can be described as
... |
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lofty and guarded by a marble Virgin. |
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dark and musty. |
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noisy, crowded, and inexpensive. |
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conveniently located near shops and markets. |
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| 13 |
When they discussed a copy of
Beatice Cenci, Miriam said ... |
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Hilda resembles Beatice Cenci |
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Hilda isn't a skillful painter. |
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she wished herself a life similar to Beatice's. |
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Hilda's innocence is like a sharp steel sword and her judgement terribly
severe. |
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| 14 |
When Donatello confessed his love in
chapter IX, ... |
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he spoke too softly for anyone to hear. |
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Miriam replied, "Why should you love me, foolish boy? |
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Hilda was speechless. |
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Kenyon advised him to recant his words. |
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| 15 |
When Donatello saw the Model at the
sylvan dance, he ... |
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said he would clutch him by the throat. |
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invited the model to join them. |
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remarked about his mysteriousness. |
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encouraged Hilda to pursue him. |
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| 16 |
Kenyon's studio ... |
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was the place Miriam most frequented. |
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hosted several wild parties. |
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was clean, bright, and organized. |
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was in a cross-street, an ugly, dirty, little lane. |
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| 17 |
Kenyon sculpts ... |
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Hilda's hand. |
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a clam. |
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a bird. |
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Miriam's bust. |
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| 18 |
Donatello murders ... |
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another artist |
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a fisherman |
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Kenyon |
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the model |
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| 19 |
Donatello commits the murder by ... |
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cutting his throat |
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pushing him to his death |
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using a gun |
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strangulation |
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| 20 |
Donatello claims to have done it
because ... |
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Hilda wanted him to. |
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Kenyon agreed to help. |
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Miriam's eyes bate him to do it. |
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he's murdered before. |
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| 21 |
... is an unexpected witness to the
murder. |
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a priest. |
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Kenyon. |
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Hilda. |
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an innocent passerby. |
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| 22 |
... said, "My lips - my hand -
shall never meet Hilda's more!" |
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Miriam |
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Donatello |
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Kenyon |
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Hilda's family |
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| 23 |
The name of the wine at Monte Beni
is ... |
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Sunshine |
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Chivalry |
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Praxitelas |
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Tomaso |
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| 24 |
In the Owl Tower, Donatello
flung ... over the battlements. |
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a worm |
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the model |
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a statue |
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money |
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| 25 |
Kenyon's bust of Donatello ... |
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receives an award of distinction |
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is praised by Hilda |
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is too simple |
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combines animal fierceness with intelligent hatred |
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| 26 |
While at Monte Beni, the seasons
change from ... |
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winter to spring |
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autumn to winter |
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summer to autumn |
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spring to summer |
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| 27 |
After witnessing the murder, Hilda
surprisingly visits ... |
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her family back home |
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Monte Beni |
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a Catholic priest |
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Miriam's studio |
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| 28 |
Miriam and Donatello's relationship
grew ... |
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because Hilda encouraged it |
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in spite of Donatello's sin |
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because of Donatello's sin |
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into a platonic friendship |
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| 29 |
Kenyon finally beheld the sweet face
of his lost Hilda ... |
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at the carnival |
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in the church |
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at Hilda's tower |
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in the museum |
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| 30 |
Kenyon says Donatello's sin ... |
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is an unforgivable shame |
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brought Donatello and Hilda together |
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educated and elevated Donatello |
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remains unrepented |
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