ENGLISH 340 - The Literary Sources

of the American Character: 1600-1865


Fall 2007

Dr. Battenburg
Office: 38-109

Phone:  756-2945  Emailjbattenb@calpoly.edu

Office Hours:  M, W 9-10 or by appointment 

Course Description:

English 340 focuses on major Colonial and Early American writers. This course exposes students to American prose, poetry, and fiction. Throughout the quarter a number of common and recurring themes will be explored: nature versus civilization, innocence versus experience, new world versus old world, heart versus head, individual versus society, and good versus evil. While becoming acquainted with various literary works, students will also be encouraged to develop critical methods of reading and writing. Students are expected to initiate and participate in class discussion, take unannounced quizzes, complete two essay examinations, and write a four-six page critical paper. 

In-class activities and reading assignments will be supplemented by accessing websites. Student will be required to use the computer to participate in these online activities. The address for the American Literature site is as follows: cla.calpoly.edu/~jbattenb/amlit

Texts:

Baym, Nina, et al., eds. The Norton Anthology of American Literature. 7th ed. Vol. A and B. New York: Norton, 2007.

Class Requirements and Grading Procedure:

1) Attendance is required. More than three absences will significantly lower your final grade. 
2) No late assignments or exams will be accepted. In case of an emergency, contact me before the work is due. 

3) Class Participation: 15% 

4) Quizzes:  15%

5) Critical Paper: 20% 

6) Midterm and Final Exams: 50%

 


 

Schedule:

MON 17 SEP.
Introduction

Smith

From The General History of Virginia  (55-69)

Brief History of Jamestown

WED 19 
Bradford

From Of Plymouth Plantation  (104-138)

Mayflower Web Pages

Graduate Writing Exam (Two other opportunities to take the GWR 
will be scheduled outside of class.)

MON 24  
Bradstreet

"The Prologue" (188-189)

"The Flesh and the Spirit" (202-204)

"Poems in Memory of Grandchildren" (210-211)

"As Weary Pilgrim" (213-214)

Anne Bradstreet

Rowlandson
The Captivity and Restoration of Mrs. Rowlandson (235-267)

King Philip's War

WED 26
Sewall

From The Diary  (288-303)

Salem Witch Trials

Knight
From Private Journey from Boston to New York (368-378)

Sarah Knight

Byrd
From The Secret Diary  (378-384)

William Byrd's Westover Plantation

MON 1 OCT.
Edwards

"Personal Narrative" (384-396)

"Sinners in the Hands of an Angry God" (425-436)

Jonathan Edwards

Online Literature Assignment Due 

WED 3
Video on Salem Witch Trials

Crevecoeur

From Letters from an American Farmer  (595-616)

Crevecoeur's Letters from an American Farmer

MON 8
Franklin

The Autobiography  (473-522)

Benjamin Franklin: Glimpses of the Man

WED 10
Franklin

The Autobiography  (522-558)

"Remarks Concerning the Savages of North America (468-472)
"Speech of Miss Polly Baker" (Online)
"Old Mistresses Apologue" (Online)

MON 15
Paine

From Common Sense  (629-637)

From The American Crisis  (637-643)

Friends of Thomas Paine

WED 17
Jefferson

From The Autobiography  (649-657)
"Letter to Peter Carr" (Online)

Monticello

Freneau
"The Wild Honey Suckle" (744-745)

"To Sir Toby" (746-748)

"To A New England Poet" (Online)

Philip Freneau

MON 22
MIDTERM EXAM (Bring 1 or 2 large exam books)

WED 24
Irving
"The Author's Account of Himself" (Online)
"Rip Van Winkle" (951-965)
"The Legend of Sleepy Hollow" (965-985)

Washington Irving

MON 29
Hawthorne

"The Artist of the Beautiful"  (Online)
"My Kinsman, Major Molineux" (1276-1288)

"Young Goodman Brown" (1289-1298)

Nathaniel Hawthorne

WED 31
Hawthorne

"The Minister's Black Veil" (1311-1320)

The Scarlet Letter  (1352-1377)

MON 5 NOV.
Hawthorne

The Scarlet Letter  (1377-1438)

WED 7
Hawthorne

The Scarlet Letter  (1438-1495)

MON 12
Vacation

WED 14
Melville

"Hawthorne and His Mosses" (2304-2320)

"Bartleby, the Scrivener" (2363-2389

Life and Works of Herman Melville

CRITICAL PAPER DUE

MON 19
Emerson

"The American Scholar" (1138-1151)

The Transcendentalists

Thoreau
Walden  (1872-1930)

Walden Pond Exhibit

WED 21

Vacation

MON 26
Thoreau
Walden  (1930-1988)

WED 28

Thoreau Walden  (1988-2046)

 

FINAL EXAM as stated in the Fall Schedule (Bring 1 or 2 large exam books)

Directions for Critical Essay

  Your assignment is to write a short essay (about five to seven double-spaced, typed pages) on a significant literary issue or theme.  Remember that this is to be a critical analysis--not a summary.  Because this is an essay, make sure to include the essential parts, such as an introduction, thesis statement, major arguments, and conclusion.  Your assertions should be supported by examples from the text.  When you quote or refer to passages, indicate the page number from The Norton Anthology of American Literature, fifth edition.  This paper should be based on your experience with one or more works.  No secondary criticism is requested or allowed.  However, you may use material from the other works we have read in class if this is helpful.  Your paper will look something like this:

Ishmael's Education and Isolation at Sea

 Although early in Moby-Dick Melville says that such and such is operating (135), he seems to take a somewhat different view later in the novel.  For instance, he has Ishmael indicate by his actions that something or other is true--as is shown when he does whatever he does (272).  This, of course, is in keeping with what Melville suggests in his discussion of what the whale means to Ishmael.  In "The Whiteness of the Whale," Ishmael reveals whatever it is he reveals (166).  This suggests whatever it suggests.  All of this needs to be measured against what Melville says in his essay on Hawthorne written while he was thinking about and writing Moby-Dick.  In "Hawthorne and His Mosses" he declares, "For in this world, Truth is forced to fly like a sacred white doe in the woodlands . . . ."  (542).  His treatment of Pip must also be considered in connection to this.  Melville has Pip do what it is he does (347).  This seems to be a case of whatever it seems to be.  Melville's insistence on treating this like that makes one interpret something in a particular way.  Further more, blah and blah and blah, and these suggest blah and blah . . . .

Since your citations will appear in the body of your paper, no footnotes are needed.