ENGL 439: Gender in Medieval Literature Presentation Sign-Ups (Fall, 2010)
There are 26 potential presentation slots spread over 16 presentation days.  Please note that no more than TWO students should sign up to present on a given presentation day.  When a work/author will be discussed on more than one day, indicate the DATE when you wish to present after your name.

Before signing up for a research presentation topic, follow the link to familiarize yourself with the Oral Presentation GuidelinesAll students should meet with me to discuss possible angles and get started on the research process ASAP and by the end of week 3 at the latest!  Failure to schedule a preliminary research conference will cause an "F" to be averaged into the Research Report component of your final course grade.

NOTES:

  1. Senior Project students and Graduate Studentshave first pick of presentation topics.
  2. On days with more than one assigned reading, each presentation should be on a different author or work.
  3. Two students may sign up to present on a day with only one assigned work, but please don't do so until ALL presentation days have at least one presenter.  For works/authors for which there is more than one presenter, presenters should coordinate with one another (and Dr. Schwartz) to ensure they focus on different aspects of the work and that different secondary sources are listed on their Annotated Bibliographies.
  4. A third student may sign up to present on a given text ONLY if ALL other presentation days have at least one presenter.
  5. If a work will be discussed on more than one day, multiple presentations should ideally be spread among the discussion days.
  6. Students with prior experience using the research tools are encouraged to sign up for topics which fall early in the quarter!  To make up for the limited amount of time available to early presenters, a bonus will be applied to the Presentation and Annotated Bibliography grades of anyone presenting in weeks 3 or 4.
Week 3    (October 4-6)
Marie de France, Lais  (no more than 3 total and no more than 2 on either class day; each presentation should focus on a different specific lai; please come see me together to discuss topics and schedule specific presentations.)
  •  Vesna Galic: Eliduc (conf. 9/23/10)
  •  Jeffrey ten Grotenhuis II: Lanval (conf. 9/23/10)

Week 4  (October 11-3)
 
Chrétien de Troyes, Erec and Enide (no more than 3 total and no more than 2 on either class day; please come see me together to discuss topics and schedule specific presentations.)
  •  Caitlin Bercha (conf. 9/27/10)
  •  Nick Georgoff (conf. 9/27/10) 

Week 5    (October 18-20)
 
Heldris de Cornwall, The Romance of Silence (no more than 3 total and no more than 2 on either class day; please come see me together to discuss topics and schedule specific presentations.)
  •  Ryan Naval (conf. 10/5/10) 
  •  Jaclyn Burt (conf. 10/5/10) 

Week 5 or 6    (October 20 and/or October 25 -- see Course Calendar for specific reading assignments on these days)
 
Vernacular Attacks on Women and Marriage (Fabliaux, The Fifteen Joys of Marriage, Guillaume's portion of the Romance of the Rose, Jean's portion of the Romance of the Rose; no more than TWO presentations on a given class day and no more than THREE presentations total; each presentation should be on a different text or set of texts):
  • Selected Fabliaux:
  • The Fifteen Joys of Marriage:
  • Guillaume de Lorris's Romance of the Rose:  Amanda Fu (conf. 10/5/10) 
  • Jean de Meun's Romance of the Rose: Allison Aubrey (conf. 9/29/10)

Week 6 (October 27)
 
Christine de Pizan's Reactions to the Rose (one presentation focussing on The God of Love's Letter and/or the debate on the Romance of the Rose)
  •  Carly Hanzlik (conf. 10/7/10)

Week 7 (November 1)

RESEARCH PAPER PROSPECTUS, OUTLINE AND WORKING BIBLIOGRAPHY DUE BY FRIDAY, 11/7
Christine de Pizan, The Book of the City of Ladies (one presentation)
  •  OPEN

Weeks 7 and 8 (November 3 and/or 8)

RESEARCH PAPER PROSPECTUS, OUTLINE AND WORKING BIBLIOGRAPHY DUE BY FRIDAY, 11/7
DEADLIINE TO SUBMIT RESEARCH PROGRESS REPORTS AND ILL ARTICLES TO THE ARCHIVE / ILL ARTICLE REPOSITORY IS F 11/14
Christine de Pizan, autobiographical writings (no more than TWO presentations total, each of which must focus on a different text)

Week 8  (November 10)

DEADLIINE TO SUBMIT RESEARCH PROGRESS REPORTS AND ILL ARTICLES TO THE ARCHIVE / ILL ARTICLE REPOSITORY IS F 11/14
Body vs. Spirit: Mysticism and Feminine Spirituality (no more than TWO presentations total, each of which should be on a different author/work)

Week 9 (November 17)

MIDTERM EXAM ON M 11/15
Chaucer, The Canterbury Tales 1: The Wife of Bath's Prologue and Tale (suggested presentation topics:  the WB's responses to medieval misogyny in her Prologue; the connection between the WB's personal history as  recounted in her Prologue and her tale; the "Authority of Experience" in the WB's Prologue and Tale). Up to TWO Research Presentations (one on each text):
  • The Wife of Bath's Prologue and Tale: OPEN
  • The Clerk's Tale: Cheryl Mendibles (conf. 10/7/10) 

Week 10a (November 22 - 24)
 
Chaucer, The Canterbury Tales 2: Courtly love? The Nun's Priest's Tale (Canterbury Tales 214-31) and The Franklin's Tale (Canterbury Tales 407-433).  Consultation of the study guides (follow links) is strongly advised. Up to TWO Research Presentations (one on each tale):
  • The Nun's Priest's Tale: Jake Franks (conf. 10/5/10) 
  • The Franklin's Tale: OPEN
  • HAPPY THANKSGIVING!

    Week 10b (November 29 - December 1)
     
    Chaucer, The Canterbury Tales 3: Female agency in The Knight's Tale and The Miller's Tale  Consultation of The Knight's Tale study guide and The Miller's Tale study guide strongly advised! Up to TWO Research Presentations (one on each tale):
    Chaucer, The Canterbury Tales 4: Just fabliaux? Consultation of the study guide (follow link) is strongly advised. 
    • The Merchant's Tale:  Michael Lacalle (conf. 10/7/10 for previous topic on Christine; conf. 10/26-28 prior to switcing presentation topic to Merchant's Tale