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ENGL
439: Gender in Medieval Literature

Term:
Fall, 2006
TR 2:10-4:00,
10-124
Office:
47-35G, tel. 756-2636
Office
Hours: M 6:10-7:00, T 1:00-1:50, W 2:10-3:50, R 4:10-5:00, and by appt. |
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Dr. Debora
B. Schwartz
http://www.calpoly.edu/~dschwart
Main
English Office: 756-2597
e-mail:
dschwart@calpoly.edu |

Calendar
of Assignments
PLEASE NOTE that the on-line syllabus (not any print-out you
may make) is authoritative. Assignments may be modified in the course
of the quarter. Check the on-line syllabus regularly (before each
class) to ensure that you are completing the correct assignment. It is
accessible at http://cla.calpoly.edu/~dschwart/engl439/439syllf06.html
Oral
Presentation Schedule
Dr.
Schwartz's Guide to Research Tools
Guided Research Exercises:
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Site Navigation
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Course
Description and Objectives: This course will explore the
intersection between literature and gender in the Middle Ages. We will
consider both how women's voices and perspectives are "heard" in medieval
texts (authored by both men and women) and the ways in which these
texts contribute to and reflect the gender expectations of their authors
and audiences. Medieval readings will be paired with appropriate
theoretical and critical essays.
Readings have been chosen to allow us to compare the construction of
gender in works written by women and men. In addition to canonical
medieval works (e.g. Chaucer, Chrétien de Troyes, selections from
the Romance of the Rose), we will consider lesser known works by
medieval women writers (e.g. Marie de France, Christine de Pizan, Margery
Kempe, Julian of Norwich) both for their intrinsic interest and for what
they reveal about the status of women. Particular attention will
be paid to women's literacy and the efforts of women writers to create
a place for themselves within a literary canon largely hostile to women.
Other readings will explore some of the classical sources of medieval misogyny
and the polemical "Querelle des Femmes" tradition, a body of writings
attacking or defending womankind. Through
these readings, we will examine medieval beliefs concerning the "nature"
of women, suitable roles for women, and women's status in medieval society.
Finally, we will touch on questions of historical context, discussing women's
access to education and literacy, the legal status of women during the
periods we are considering, and differences between medieval and modern
notions of authorship and of "originality."
Two other course objectives are worth noting.
By the end of the quarter, you should feel confident of your ability
to use various research tools to identify, locate and access useful secondary
sources on a research topic (and know how to document these sources correctly).
Finally,
I hope that exploring the treatment of gender in medieval literary works
will cause you to (re)consider your own assumptions about gender and sharpen
your sensitivity to the ways in which gender is constructed in more recent
periods and literary works.

Required
Texts:
Note: you must use the SPECIFIC TEXTS ordered for this
class. DO NOT SUBSTITUTE another edition / translation! |
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Alcuin Blamires, ed. Woman Defamed and Woman Defended: An Anthology
of Medieval Texts (Oxford UP) (one hard copy on reserve;
selections on e-reserve)
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The Lais of Marie de France, tr. Robert Hanning and Joan
Ferrante (Baker Books)
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Chrétien de Troyes, Arthurian Romances, tr. William
W. Kibler and Carleton W. Carroll (Penguin Classics)
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Heldris de Cornwall, The Romance of Silence, ed./tr. Sarah
Roche-Mahdi (U of Michigan Press)
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The Selected Writings of Christine de Pizan, tr. Renate Blumenfeld-Kosinski
and Kevin Brownlee (Norton Critical Edition)
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Chaucer, The Canterbury Tales, tr. Nevill Coghill (Penguin
Classics)
Other required readings are on Electronic
Reserve (see information on e-reserves,
below)
Also Recommended:
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Julian of Norwich, Revelations of Divine Love (Short Text and Long
Text), tr. Elizabeth Spearing (Penguin Classics)
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The Book of Margery Kempe, tr. Barry Windeatt (Penguin Classics)
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Joseph Gibaldi and Walter S. Achtert, MLA Handbook for Writers of
Research Papers, 6th ed. (2003)
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 Communication:
You
are expected to have an email account and to check it regularly.
Important announcements will be sent over the class email
alias: engl-439-02-2068@calpoly.edu
. The class email alias is automatically generated using the email
address of each enrolled student found in the Cal Poly Directory server.
If your Cal Poly email account is NOT your preferred email address, you
must
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Log into http://my.calpoly.edu/
and click on "Grades and Personal Information" (the "Personal Information
Channel") to change your Email Delivery Address. Once you have done
so, any email sent to your <username@calpoly.edu> , including
all postings to the class alias, will be forwarded to the address you have
designated.
Remember: you are responsible for any information sent over the class
email alias (e.g. changes in assignments; other class-related announcements),
so be sure to check your email regularly. You may also use the alias
to send a query or comment to the whole class (including your instructor).
Please do not use the alias for matters unrelated to class.
You are also expected to facilitate collaboration
with your classmates by submitting regular research
progress reports and records of works ordered via LINK+
or ILL to
the class research archive, located in a Blackboard
"Discussion Board." To access Blackboard, log in at MyCalpoly,
go to "Blackboard Access" and select ENGL 439-02 "Gender in Medieval Literature"
from the classes you are taking; then click on "Discussion Board" and link
to the "forum" for the research topic you are interested in. There
will be a "forum" for each author/text on which there are oral presentations.
Keep a copy of your research reports in case of technological glitches.
Be sure to check after each posting to verify that your submissions have
made it into the archive. If you have trouble posting to the archive,
contact the Help Desk (756-7000) and let me know at our next class meeting.
Your complete set of Research Progress Reports
will factor into the participation component
of your final course grade.

Attendance
Policy: Due to the twice-weekly seminar format, any absence
causes you to miss a substantial chunk of material. Regular and punctual
attendance is required. Please note that EVERY absence will
affect the
participation component of your
final
course grade.
Each
student starts out with a 4.0 for attendance. This component of your
final grade drops by .3 for the first UNEXCUSED absence; the penalty
increases by .1 for each subsequent unexcused absence (from A [4.0] to
A- [3.7] to B+ [3.3], to B- [2.8], etc.). Additionally, it drops
.1 for the first EXCUSED absence (4.0 to 3.9) and .2 for the second
excused absence (3.9 to 3.7). Excused absences in excess of
two (a full week, 10% of the class) count the same as unexcused
absences.
Please note that only absences resulting from illness, a family emergency,
or circumstances truly beyond your control count as excused.
Absences taken for personal convenience are a matter of choice rather than
necessity; they will be recorded as unexcused. Please note that
deadlines for other courses, work conflicts and job interviews are NOT
valid reasons for missing class. Exception: a graduating senior
will be granted ONE excused absence for an out-of-town job interview.
FOR ANY ABSENCE TO BE EXCUSED, YOU MUST SUBMIT A SIGNED, WRITTEN NOTE
with course number, date missed and an explanation of the circumstances
leading to your absence. (Although I do appreciate your courtesy
in letting me know why you have missed a class, an Email or a phone message
will not suffice; a written statement with your signature
is required for an absence to be excused.)

Preparation:
Readings are to be completed BEFORE coming to class on the date assigned.
You are expected as a matter of course to read assigned secondary readings
(critical articles, introductions in the texts, and any supplemental readings
placed on reserve
at Kennedy Library or distributed in hardcopy or via a web link). Be prepared
to DISCUSS the readings in class. Note that the length and difficulty of
assignments vary, so look ahead on the calendar
of assignments when you are planning your time.
Please note that some required
readings are in .PDF files on "electronic
reserve" through the Kennedy Library. The easiest way to
access e-reserves is to click on the links below
or on the ENGL 439 calendar
of assignments. You can also access e-reserves from the Kennedy
Library webpage. On the course
reserve list, electronic readings are found in the folder of "supplemental
readings." To view the .PDF file using Acrobat Reader, click
on the link; you will be prompted to type in your last name and library
barcode (the 14-digit number beginning 20150 on the front of your PolyCard).
You can then download the file to your computer or read it online.
ALWAYS PRINT OUT SUPPLEMENTAL READINGS AND BRING THEM WITH YOU TO CLASS!!
Be prepared to DISCUSS readings in class. Note that the length and difficulty
of assignments vary, so look ahead in the reading list when you are planning
your time. You will be responsible for ALL the assigned readings, whether
fully discussed in class or not, as well as for the additional background
material presented in lectures, online readings,
or in student presentations and in class discussion.
Don't give in to the temptation to procrastinate!!
Be aware that the research component of
this course requires additional preparation which CANNOT be left until
the week before your oral presentation or prospectus is due. To get
started, come to an Office Hour (or make an
appointment to see me) by the end of week 3 at the latest.
We will use this initial meeting to brainstorm, to discuss possible topics
and approaches, to help you get the hang of some of the online
research tools, and/or simply to get acquainted. After this initial
meeting, feel free to come back whenever you feel you would benefit from
additional consultation. This means: if you feel confused or overwhelmed,
don't despair; CONTACT ME and
let me help you troubleshoot!

Graded
Work:
RESEARCH EXERCISES
and REPORTS to the CLASS RESEARCH ARCHIVE:
linked to the right-hand column on the calendar
of assignments are a series of five guided
research exercises designed to walk you through the process of library
research at Cal Poly. Accessing and following the instructions
in these guided research exercises will ensure that:
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you are familiar with (and have in fact used) the most important
research
tools available through the Kennedy Library;
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you have adequate and appropriate secondary source material on hand to
meet the research requirements for your oral presentation
, annotated bibliography, and final research paper; and
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you receive a 4.0 for the component of your final course grade based upon
your reports to the Class Research Archive
Failure to post the required research reports has a significant negative
impact on the collaborative aspect of this seminar. Your research
reports provide a "roadmap" for any classmate(s) who may wish to incorporate
the text or film you have researched into their final project(s); they
also allow seminar participants to pool their resources and "share the
wealth" they have found in their individual research, without tormenting
classmates by recalling the books they have checked out (or wasting limited
library financial resources by having multiple classmates make identical
Interlibrary
Loan and Link+
requests).
Because your complete set of archived
Research
Progress Reports will be an important resource for your classmates,
they are an integral part of your participation
grade. Each required research report that DOES NOT FOLLOW DIRECTIONS
(as outlined in the guided research exercises)
or which is MISSING FROM THE ARCHIVE at the end of the quarter (or posted
too late to be of any use to your classmages) will cause a PENALTY to be
applied to the RESEARCH REPORT component of your final course grade at
the end of the quarter, reducing it from a base of 4.0 (.1 penalty for
the first missing or incomplete report, .2 for the second, .3 for the third,
etc.)
NOTE to the research-challenged or easily intimidated: even if you have
no prior experience using Kennedy
Library research tools, following the instructions in the guided
research exercises is simply not that difficult. (You are all English
majors and presumably know how to read!) Failure to submit research
reports to the archive would be a truly unnecessary way to lose points
in this class.
If you are worried about the research component of this seminar, my
best advice is to:
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get started on your research early -- DO NOT put it off until the week
before your presentation!;
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READ THE INSTRUCTIONS in the guided research
exercises and FOLLOW THEM!;
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come SEE ME for help trouble-shooting any problems you may have; and
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POST YOUR REPORTS to the ARCHIVE in a timely manner so that they can be
of benefit to both you and your classmates!
Please endeavor to complete the various assignments by the target dates
on which they appear on the syllabus. And COME SEE ME if you are
having difficulty geting started, or finding what you need!
ORAL
PRESENTATION: Starting in week three or four, each reading
will be presented by one or more students (working together to avoid repetition;
sign-ups will take place the first week of class). This ORAL PRESENTATION
(no more than 20 min. per student!) will be the starting point for
class discussion, led jointly by presenters and professor. The presentation
should illuminate some aspect of the reading that is relevant to the work
of the seminar, suggesting one or more critical, thematic, stylistic or
structural approach(es) to the work (or to one or more of its episodes,
motifs or characters). If you choose, you may summarize a secondary source
which you have found particularly interesting or useful, provided that
you keep the focus on the way in which this secondary reading helps us
better to understand the primary work (i.e. the medieval literary
text). Students are encouraged (but not required) to develop this presentation
topic more fully in the final research paper. Please
note: you are NOT expected to become a world expert on your assigned topic;
you are merely responsible for helping to introduce it to your classmates!
Click on link for the ORAL
PRESENTATION SCHEDULE.
Each presenter will prepare and distribute
an ANNOTATED
BIBLIOGRAPHY of at least five secondary sources dealing
with the primary reading (including any essay or article presented in class).
Entries should be alphabetized as on a List of Works Cited and should begin
with
full bibliographic references (consult the Guide
to Research Tools and/or your MLA Handbook for correct formats!)
followed by a brief summary of the primary thrust of the article, essay
or book (what it argues about your medieval text/author --
not
praise for or a critique of the article, essay or book). Be sure to include
at least one of each of the following types
of resources: journal article,
essay in edited
collection, and single-author book; also, you must include at
least one item obtained using each of the following modes
of access: an item found in hard copy at the Kennedy Library
(state "Cal Poly" and give call number in parentheses at end of annotation;
don't neglect to consult the items on Reserve for this class!); one item
each
that has been appropriately ordered through LINK+andILL
(state which in parentheses at end of annotation); and a source accessedelectronically
through
a subscription
database in the Kennedy Library collections (note that the name
of the database is incorporated into a correctly formatted citation
for an item accessed electronically through a subscription database
in the library's collections). The Annotated Bibliography will be
graded for complete and correct bibliographic
citations; for the distribution of items over the required types
of sources and modes
of access; and for the expression and quality of the summary.
Your
Oral
Presentation and
Annotated
Bibliography count toward your in-class
work grade.
Please note: you will need to start
researching your topic immediately in order to obtain materials
through LINK+
and Interlibrary
Loan. You should meet with Prof. Schwartz (and other presenters
on same text, if applicable) no later than the third week of class
for bibliographic suggestions and to discuss possible approaches
/ topics for your presentation.
PAPER
PROSPECTUS: Normally ungraded; due to my mailbox by NOON
on F 11/3 at the latest. (If you are leaving town for the long week-end,
you MUST turn in prospectus by our class meeting on .) Prospectus
must include a working title which clearly identifies work(s) discussed
as well as topic of your paper; a fully articulated thesis (not
just a statement of general topic); a tentative outline of paper;
and a working bibliography of at least eight sources (alphabetized
and in correct MLA bibliographic format). NOTE:
If an
acceptable Prospectus is submitted on time, it will
be used solely for feedback to help you write a stronger final research
paper. But if
no prospectus is submitted or the prospectus
does not fulfill therequirements of the assignment, it will
be graded and will count for 10% of your final
course grade. In that case ONLY, the Research Paper component of your
final grade will decrease to 30%. (Note: failure to submit a prospectus
will result in 10% of your final course grade = F.)
MIDTERM
EXAMS: in class, on October 26 (end of
week 5) and December7 (last class meeting). Both exams are closed
book and will consist of factual questions (from lectures, introductions
in texts, online readings, and handouts, including required secondary criticism);
chronology of works studied; identification of key characters, events,
objects and motifs; identification of significant passages from readings.
Additionally, the first midterm (but not the second one) will include a
choice of essay questions, and the second midterm (but not the first) will
include a "paper preview" section.
RESEARCH
PAPER:
15-20 pp. long, citing at least 6 secondary sources
(Senior Project Students: 20-25 pp. and 8 secondary sources); OR, with
my approval, a well-designed and researched WEBSITE on a relevant aspect
of ONE (or at most TWO) of the work(s) on the syllabus, including appropriate
links, images, bibliography, and online resources. The website must
incorporate the equivalent of a SHORTER ANALYTIC PAPER (8-10 pp.); you
will also submit a separate, written explanation of the methodology used
and problems encountered in putting together the website. Final paper
may be connected to
oral presentation. Normally due
at the time of the Final Oral Exercise (T 12/12)
must be submitted by end of day on Wednesday, 12/8, to avoid receiving
an Incomplete in the class. Worth 40%
of final course grade (except as noted above).
FINAL ORAL EXERCISE: there
will be a required Final Oral Exercise: a brief presentation
to your classmates of the premise and conclusions of your final research
paper (which is due at that time). While the presentation is ungraded,
it is the culmination of the collaborative work of the seminar; failure
to participate in the Final Oral Exercise will result in a grade of "F"
being averaged with your
Midterm Exam score.
The Final Oral Exercise is typically held at my home in conjunction
with an (optional) class dinner; it will take place during the regularly
scheduled final exam time, Tuesday, 12/12/06, from 4-7 PM.
NOTE: I do not typically include reading
quizzes in my 400-level seminars. However, should it become apparent
that students are not keeping up with assigned readings, I reserve
the right to start! Reading quizzes in my classes typically consist
of a combination of passage IDs; factual questions (based on assigned
background readings, as well as character or event IDs); and content-specific
questions based upon primary material (readings, films and artwork: significant
plot developments, roles played by various characters, etc.) There
is typically an element of choice on my quizzes, and they are typically
unannounced. In the (unlikely) event that reading quizzes prove necessary,
they will be incorporated into the in-class work
component of your final course grade.

Course
Grade Calculation:
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10% |
Participation (including
attendance
and archived
research reports). |
| 20% |
In-class work:
equal weight to Oral
Presentation and annotated
bibliography. (Should I determine that reading
quizzes are necessary to ensure class members are keeping up with assignments,
they will be factored into this portion of the final grade.) |
| 30% |
Miderm
Exams.
NOTE: Failure
to participate in the final oral exercise will
result in an F being averaged with this grade. |
| 40% |
Research
Paper. NOTE: If an acceptable
Research
Paper Prospectus is submitted on time, it will be considered
an ungraded exercise designed solely to provide feedback to help you write
a stronger final paper. But if the prospectus submitted does not
fulfill the requirements of the assignment, or if it is submitted late,
it will be graded and will count for 10% of your final course grade.
In that case, the research paper itself will be worth only 30%. Failure
to submit a prospectus will result in 10% of your final course grade =
F!! |

Web
Resources and Online Readings
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Medieval
Women:
Medieval
Women Writers:
Of Related
Interest:
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Dr.
Schwartz's Study
Guides and online Readings:
Images:
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Research
Tools:
Medieval Studies
Resources:
Library
Reserves:
Direct Links to E-reserves:
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Feminist
Criticism, Gender Criticism, and Queer Theory
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Bolton,
"Conditions of Literary Composition in Medieval England"
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Marie
de France, Prologues/Epilogue
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Bloch,
"Medieval Misogyny"
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Defamed
and Defended Introduction
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Selections from Classical
Misogyny; Medieval
Latin 1 (religious); Medieval
Latin 2 (satirical); Lamentations
of Matheolus
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Faust,
"Women Narrators in the Lais of Marie de France"
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Nichols,
"Working Late: Marie de France. . ."
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McCracken,
"Silence and the Courtly Wife. . ."
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Stock,
"Importance of Being Gender 'Stable'. . .:"
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Selected
Fabliaux
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Selections
from The Fifteen Joys of Marriage
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Romance of the Rose Selections
1, Selections
2, and Selections
3; Guide
to Rose selections
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Selections from
Julian of Norwich and Margery
Kempe
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Contents of this and linked pages on Cal Poly websites Copyright
Debora B. Schwartz, 1999-2006; last updated 9/26/06
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