ENGL 439: Gender in Medieval Literature

Term: Fall, 2006
TR 2:10-4:00, 10-124
Office: 47-35G, tel. 756-2636 
Office Hours: M 6:10-7:00, T 1:00-1:50, W 2:10-3:50, R 4:10-5:00, and by appt.
Dr. Debora B. Schwartz 
http://www.calpoly.edu/~dschwart
Main English Office:  756-2597
e-mail: dschwart@calpoly.edu

Calendar of Assignments

PLEASE NOTE that the on-line syllabus (not any print-out you may make) is authoritative.  Assignments may be modified in the course of the quarter.  Check the on-line syllabus regularly (before each class) to ensure that you are completing the correct assignment. It is accessible at http://cla.calpoly.edu/~dschwart/engl439/439syllf06.html

Oral Presentation Schedule

Dr. Schwartz's Guide to Research Tools

Guided Research Exercises:



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Course Description and Objectives:  This course will explore the intersection between literature and gender in the Middle Ages. We will consider both how women's voices and perspectives are "heard" in medieval texts (authored by both men and women) and  the ways in which these texts contribute to and reflect the gender expectations of their authors and audiences.  Medieval readings will be paired with appropriate theoretical and critical essays.

Readings have been chosen to allow us to compare the construction of gender in works written by women and men.  In addition to canonical medieval works (e.g. Chaucer, Chrétien de Troyes, selections from the Romance of the Rose), we will consider lesser known works by medieval women writers (e.g. Marie de France, Christine de Pizan, Margery Kempe, Julian of Norwich) both for their intrinsic interest and for what they reveal about the status of women.  Particular attention will be paid to women's literacy and the efforts of women writers to create a place for themselves within a literary canon largely hostile to women. Other readings will explore some of the classical sources of medieval misogyny and the polemical "Querelle des Femmes" tradition, a body of writings attacking or defending womankind.Through these readings, we will examine medieval beliefs concerning the "nature" of women, suitable roles for women, and women's status in medieval society. Finally, we will touch on questions of historical context, discussing women's access to education and literacy, the legal status of women during the periods we are considering, and differences between medieval and modern notions of authorship and of "originality." 

Two other course objectives are worth noting.  By the end of the quarter, you should feel confident of your ability to use various research tools to identify, locate and access useful secondary sources on a research topic (and know how to document these sources correctly). Finally, I hope that exploring the treatment of gender in medieval literary works will cause you to (re)consider your own assumptions about gender and sharpen your sensitivity to the ways in which gender is constructed in more recent periods and literary works.
 
 

Required Texts:

Note:  you must use the SPECIFIC TEXTS ordered for this class.  DO NOT SUBSTITUTE another edition / translation!

  • Alcuin Blamires, ed.  Woman Defamed and Woman Defended: An Anthology of Medieval Texts (Oxford UP)  (one hard copy on reserve; selections on e-reserve)
  • The Lais of Marie de France, tr. Robert Hanning and Joan Ferrante (Baker Books)
  • Chrétien de Troyes, Arthurian Romances, tr. William W. Kibler and Carleton W. Carroll (Penguin Classics)
  • Heldris de Cornwall, The Romance of Silence, ed./tr. Sarah Roche-Mahdi (U of Michigan Press)
  • The Selected Writings of Christine de Pizan, tr. Renate Blumenfeld-Kosinski and Kevin Brownlee (Norton Critical Edition)
  • Chaucer, The Canterbury Tales, tr. Nevill Coghill (Penguin Classics) 
Other required readings are on Electronic Reserve (see information on e-reserves, below)

Also Recommended: 

  • Julian of Norwich, Revelations of Divine Love (Short Text and Long Text), tr. Elizabeth Spearing (Penguin Classics)
  • The Book of Margery Kempe, tr. Barry Windeatt (Penguin Classics)
  • Joseph Gibaldi and Walter S. Achtert, MLA Handbook for Writers of Research Papers, 6th ed. (2003)

Communication: You are expected to have an email account and to check it regularly.  Important announcements will be sent over the class email alias:  engl-439-02-2068@calpoly.edu .  The class email alias is automatically generated using the email address of each enrolled student found in the Cal Poly Directory server. If your Cal Poly email account is NOT your preferred email address, you must

  • Log into http://my.calpoly.edu/ and click on "Grades and Personal Information" (the "Personal Information Channel") to change your Email Delivery Address. Once you have done so, any email sent to your <username@calpoly.edu> , including all postings to the class alias, will be forwarded to the address you have designated.
Remember: you are responsible for any information sent over the class email alias (e.g. changes in assignments; other class-related announcements), so be sure to check your email regularly.  You may also use the alias to send a query or comment to the whole class (including your instructor).  Please do not use the alias for matters unrelated to class. 

You are also expected to facilitate collaboration with your classmates by submitting regular research progress reports and records of works ordered via LINK+ or ILL to the class research archive, located in a Blackboard "Discussion Board."  To access Blackboard, log in at MyCalpoly, go to "Blackboard Access" and select ENGL 439-02 "Gender in Medieval Literature" from the classes you are taking; then click on "Discussion Board" and link to the "forum" for the research topic you are interested in.  There will be a "forum" for each author/text on which there are oral presentations.  Keep a copy of your research reports in case of technological glitches. Be sure to check after each posting to verify that your submissions have made it into the archive.  If you have trouble posting to the archive, contact the Help Desk (756-7000) and let me know at our next class meeting. Your complete set of Research Progress Reports will factor into the participation component of your final course grade
 
 

Attendance Policy:  Due to the twice-weekly seminar format, any absence causes you to miss a substantial chunk of material. Regular and punctual attendance is required.  Please note that EVERY absence will affect the participation component of your final course grade

Each student starts out with a 4.0 for attendance.  This component of your final grade drops by .3 for the first UNEXCUSED absence; the penalty increases by .1 for each subsequent unexcused absence (from A [4.0] to A- [3.7] to B+ [3.3], to B- [2.8], etc.).  Additionally, it drops .1 for the first EXCUSED absence (4.0 to 3.9) and .2 for the second excused absence (3.9 to 3.7).  Excused absences in excess of two (a full week, 10% of the class) count the same as unexcused absences.

Please note that only absences resulting from illness, a family emergency, or circumstances truly beyond your control count as excused.  Absences taken for personal convenience are a matter of choice rather than necessity; they will be recorded as unexcused. Please note that deadlines for other courses, work conflicts and job interviews are NOT valid reasons for missing class.  Exception:  a graduating senior will be granted ONE excused absence for an out-of-town job interview. 

FOR ANY ABSENCE TO BE EXCUSED, YOU MUST SUBMIT A SIGNED, WRITTEN NOTE with course number, date missed and an explanation of the circumstances leading to your absence.  (Although I do appreciate your courtesy in letting me know why you have missed a class, an Email or a phone message will not suffice; a written statement with your signature is required for an absence to be excused.) 
 
 

Preparation:

Readings are to be completed BEFORE coming to class on the date assigned. You are expected as a matter of course to read assigned secondary readings (critical articles, introductions in the texts, and any supplemental readings placed on reserve at Kennedy Library or distributed in hardcopy or via a web link). Be prepared to DISCUSS the readings in class. Note that the length and difficulty of assignments vary, so look ahead on the calendar of assignments when you are planning your time. 

Please note that some required readings are in .PDF files on "electronic reserve" through the Kennedy Library.  The easiest way to access e-reserves is to click on the links below or on the ENGL 439 calendar of assignments.  You can also access e-reserves from the Kennedy Library webpage.  On the course reserve list, electronic readings are found in the folder of "supplemental readings."  To view the .PDF file using Acrobat Reader, click on the link; you will be prompted to type in your last name and library barcode (the 14-digit number beginning 20150 on the front of your PolyCard).  You can then download the file to your computer or read it online.  ALWAYS PRINT OUT SUPPLEMENTAL READINGS AND BRING THEM WITH YOU TO CLASS!! 

Be prepared to DISCUSS readings in class. Note that the length and difficulty of assignments vary, so look ahead in the reading list when you are planning your time. You will be responsible for ALL the assigned readings, whether fully discussed in class or not, as well as for the additional background material presented in lectures, online readings, or in student presentations and in class discussion.

Don't give in to the temptation to procrastinate!!  Be aware that the research component of this course requires additional preparation which CANNOT be left until the week before your oral presentation or prospectus is due.  To get started, come to an Office Hour (or make an appointment to see me) by the end of week 3 at the latest.  We will use this initial meeting to brainstorm, to discuss possible topics and approaches, to help you get the hang of some of the online research tools, and/or simply to get acquainted.  After this initial meeting, feel free to come back whenever you feel you would benefit from additional consultation.  This means: if you feel confused or overwhelmed, don't despair; CONTACT ME and let me help you troubleshoot!

Graded Work:

RESEARCH EXERCISES and REPORTS to the CLASS RESEARCH ARCHIVE:  linked to the right-hand column on the calendar of assignments are a series of five guided research exercises designed to walk you through the process of library research at Cal Poly.  Accessing and following the instructions in these guided research exercises will ensure that:

  • you are familiar with (and have in fact used) the most important research tools available through the Kennedy Library
  • you have adequate and appropriate secondary source material on hand to meet the research requirements for your oral presentation , annotated bibliography, and final research paper; and
  • you receive a 4.0 for the component of your final course grade based upon your reports to the Class Research Archive
Failure to post the required research reports has a significant negative impact on the collaborative aspect of this seminar. Your research reports provide a "roadmap" for any classmate(s) who may wish to incorporate the text or film you have researched into their final project(s); they also allow seminar participants to pool their resources and "share the wealth" they have found in their individual research, without tormenting classmates by recalling the books they have checked out (or wasting limited library financial resources by having multiple classmates make identical Interlibrary Loan and Link+ requests). 

Because your complete set of archived Research Progress Reports will be an important resource for your classmates, they are an integral part of your participation grade. Each required research report that DOES NOT FOLLOW DIRECTIONS (as outlined in the guided research exercises) or which is MISSING FROM THE ARCHIVE at the end of the quarter (or posted too late to be of any use to your classmages) will cause a PENALTY to be applied to the RESEARCH REPORT component of your final course grade at the end of the quarter, reducing it from a base of 4.0 (.1 penalty for the first missing or incomplete report, .2 for the second, .3 for the third, etc.) 

NOTE to the research-challenged or easily intimidated: even if you have no prior experience using Kennedy Library research tools, following the instructions in the guided research exercises is simply not that difficult. (You are all English majors and presumably know how to read!)  Failure to submit research reports to the archive would be a truly unnecessary way to lose points in this class.

If you are worried about the research component of this seminar, my best advice is to:

  • get started on your research early -- DO NOT put it off until the week before your presentation!;
  • READ THE INSTRUCTIONS in the guided research exercises and FOLLOW THEM!;
  • come SEE ME for help trouble-shooting any problems you may have; and 
  • POST YOUR REPORTS to the ARCHIVE in a timely manner so that they can be of benefit to both you and your classmates! 
Please endeavor to complete the various assignments by the target dates on which they appear on the syllabus.  And COME SEE ME if you are having difficulty geting started, or finding what you need!


ORAL PRESENTATION: Starting in week three or four, each reading will be presented by one or more students (working together to avoid repetition; sign-ups will take place the first week of class). This ORAL PRESENTATION (no more than 20 min. per student!) will be the starting point for class discussion, led jointly by presenters and professor. The presentation should illuminate some aspect of the reading that is relevant to the work of the seminar, suggesting one or more critical, thematic, stylistic or structural approach(es) to the work (or to one or more of its episodes, motifs or characters). If you choose, you may summarize a secondary source which you have found particularly interesting or useful, provided that you keep the focus on the way in which this secondary reading helps us better to understand the primary work (i.e. the medieval literary text). Students are encouraged (but not required) to develop this presentation topic more fully in the final research paper. Please note: you are NOT expected to become a world expert on your assigned topic; you are merely responsible for helping to introduce it to your classmates! Click on link for the ORAL PRESENTATION SCHEDULE.

Each presenter will prepare and distribute an ANNOTATED BIBLIOGRAPHY of at least five secondary sources dealing with the primary reading (including any essay or article presented in class). Entries should be alphabetized as on a List of Works Cited and should begin with full bibliographic references (consult the Guide to Research Tools and/or your MLA Handbook for correct formats!) followed by a brief summary of the primary thrust of the article, essay or book (what it argues about your medieval text/author -- not praise for or a critique of the article, essay or book). Be sure to include at least one of each of the following types of resources journal article, essay in edited collection, and single-author book; also, you must include at least one item obtained using each of the following modes of access: an item found in hard copy at the Kennedy Library (state "Cal Poly" and give call number in parentheses at end of annotation; don't neglect to consult the items on Reserve for this class!); one item each that has been appropriately ordered through LINK+andILL (state which in parentheses at end of annotation); and a source accessedelectronically through a subscription database in the Kennedy Library collections (note that the name of the database is incorporated into a correctly formatted citation for an item accessed electronically through a subscription database in the library's collections).  The Annotated Bibliography will be graded for complete and correct bibliographic citations; for the distribution of items over the required types of sources and modes of access; and for the expression and quality of the summary.

Your Oral Presentation and Annotated Bibliography count toward your in-class work grade

Please note:  you will need to start researching your topic immediately in order to obtain materials through LINK+ and Interlibrary Loan.  You should meet with Prof. Schwartz (and other presenters on same text, if applicable) no later than the third week of class for bibliographic suggestions and to discuss  possible approaches / topics for your presentation.

PAPER PROSPECTUS: Normally ungraded; due to my mailbox by NOON on F 11/3 at the latest. (If you are leaving town for the long week-end, you MUST turn in prospectus by our class meeting on .)  Prospectus must include a working title which clearly identifies work(s) discussed as well as topic of your paper; a fully articulated thesis (not just a statement of general topic); a tentative outline of paper; and a working bibliography of at least eight sources (alphabetized and in correct MLA bibliographic format). NOTE: If an acceptable Prospectus is submitted on time, it will be used solely for feedback to help you write a stronger final research paper.  But if no prospectus is submitted or the prospectus does not fulfill therequirements of the assignment, it will be graded and will count for 10% of your final course grade. In that case ONLY, the Research Paper component of your final grade will decrease to 30%.  (Note: failure to submit a prospectus will result in 10% of your final course grade = F.) 

MIDTERM EXAMS: in class, on October 26 (end of week 5) and December7 (last class meeting).  Both exams are closed book and will consist of factual questions (from lectures, introductions in texts, online readings, and handouts, including required secondary criticism); chronology of works studied; identification of key characters, events, objects and motifs; identification of significant passages from readings.  Additionally, the first midterm (but not the second one) will include a choice of essay questions, and the second midterm (but not the first) will include a "paper preview" section.

RESEARCH PAPER: 15-20 pp. long, citing at least 6 secondary sources (Senior Project Students: 20-25 pp. and 8 secondary sources); OR, with my approval, a well-designed and researched WEBSITE on a relevant aspect of ONE (or at most TWO) of the work(s) on the syllabus, including appropriate links, images, bibliography, and online resources.  The website must incorporate the equivalent of a SHORTER ANALYTIC PAPER (8-10 pp.); you will also submit a separate, written explanation of the methodology used and problems encountered in putting together the website.  Final paper may be connected to oral presentation. Normally due at the time of the Final Oral Exercise (T 12/12) must be submitted by end of day on Wednesday, 12/8, to avoid receiving an Incomplete in the class.  Worth 40% of final course grade (except as noted above).

FINAL ORAL EXERCISE: there will be a required Final Oral Exercise:  a brief presentation to your classmates of the premise and conclusions of your final research paper (which is due at that time). While the presentation is ungraded, it is the culmination of the collaborative work of the seminar; failure to participate in the Final Oral Exercise will result in a grade of "F" being averaged with your Midterm Exam score. The Final Oral Exercise is typically held at my home in conjunction with an (optional) class dinner; it will take place during the regularly scheduled final exam time, Tuesday, 12/12/06, from 4-7 PM.

NOTE:  I do not typically include reading quizzes in my 400-level seminars.  However, should it become apparent that students are not keeping up with assigned readings, I reserve the right to start!  Reading quizzes in my classes typically consist of  a combination of passage IDs; factual questions (based on assigned background readings, as well as character or event IDs); and content-specific questions based upon primary material (readings, films and artwork: significant plot developments, roles played by various characters, etc.)  There is typically an element of choice on my quizzes, and they are typically unannounced.  In the (unlikely) event that reading quizzes prove necessary, they will be incorporated into the in-class work component of your final course grade.

 

Course Grade Calculation:

 10%  Participation (including attendance and archived research reports).
 20% In-class work: equal weight to Oral Presentation and annotated bibliography.  (Should I determine that reading quizzes are necessary to ensure class members are keeping up with assignments, they will be factored into this portion of the final grade.)
 30% Miderm Exams. NOTE: Failure to participate in the final oral exercise will result in an F being averaged with this grade.
 40% Research PaperNOTE: If an acceptable Research Paper Prospectus is submitted on time, it will be considered an ungraded exercise designed solely to provide feedback to help you write a stronger final paper.  But if the prospectus submitted does not fulfill the requirements of the assignment, or if it is submitted late, it will be graded and will count for 10% of your final course grade. In that case, the research paper itself will be worth only 30%.  Failure to submit a prospectus will result in 10% of your final course grade = F!!


Web Resources and Online Readings
Medieval Women: Medieval Women Writers: Of Related Interest: Dr. Schwartz's Study
Guides and online Readings:
Images:
Research Tools: Medieval Studies Resources:


Library Reserves:

Direct Links to E-reserves:

Contents of this and linked pages on Cal Poly websites Copyright Debora B. Schwartz, 1999-2006; last updated 9/26/06
 
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