English 380 - Love and Death: The Tristan Tradition


painting by J. W. Waterhouse 1916 Term: Fall, 2004
TR 12:10-2:00 (10-115)
Office: 47-35G, tel. 756-2636 
Office Hours: M 3-4, TW 2-3, R 11-12, and by appt.
Dr. Debora B. Schwartz 
http://www.calpoly.edu/~dschwart
Main English Office:  756-2597
e-mail: dschwart@calpoly.edu
Wyeth King Mark Slew Sir Tristram (1917)


 
Site Navigation: Calendar of Assignments
Remark Concerning Online Calendar
Prerequisites
GWR certification
Required Textbooks
About Electronic Readings
Video Screenings
Course Objectives
Class Email Alias
Participation
Attendance Policy 
Attendance Grade
Graded Work
Reading Quizzes
Papers (overview) and Guidelines
OPTIONAL Oral Presentation
Exams (overview); Midterm Prep and Final Prep
Grade Calculation
An Encouraging Word. . .
Web Resources:
Camelot Project "Tristan and Isolt" page (modern texts and images)
Camelot Project "Mark" page
A. Lupack's bibliography of modern Tristan and Isolt works in English
Encyclopedia Britannica "Tristan and Isolde"
Literary Encyclopedia "Tristan and Isolde" (A. Classen)
Columbia Encyclopedia "Tristram and Isolde"
P.K. Marmor's "Legends: Tristan and Iseult"
Metropolitain Opera Synopsis of Wagner's Tristan und Isolde
Orlando Moure on Wagner's Tristan und Isolde
On Jane Eaglen as Wagner's Isolde 
On Kevin Reynolds's Unreleased "Tristan and Isolde" movie: Greg's Preview
On Same: Internet Movie Database
On Same: Rufus.com
On Same: Rufus Sewell page
Dr. Schwartz's Arthurian Weblinks

Prerequisites:  ENGL 134 (new GE) or 114 (old GE); AND ENGL 145 (new GE) or ENGL 215 (old GE); AND ENGL 203 or 204 or 230 or 231or 251 or 252 or 253, or consent of instructor.

GWR:  ENGL 380 is a writing-intensive, upper-division literature course which fulfills the GE Area C4 (old GE area C3) requirement.  This class may be taken by students wishing to fulfill the Graduate Writing Requirement (GWR).  However, please be aware that successful completion of the course does NOT guarantee GWR certification!  To achieve GWR certification, you must 1) have junior or senior standing; 2) pass the class with a grade of "C" or better (a C- is not adequate); and 3) WRITE A GWR-CERTIFIABLE ESSAY on the essay portion of either the midterm or the final exam.  To achieve GWR certification, your exam essay must conform to the standards for formal analytic writing about literature:  it must present a valid argument (appropiate and adequate content), be logically organized, illustrated with appropriate and adequate textual support, and written using correct mechanics (grammar, spelling, sentence structure, punctuation, etc.) and in the style appropriate to this kind of writing.

Because this is a writing-intensive course, 50% of the grade must be based on writing assignments. But please note that there is NO FORMAL WRITING INSTRUCTION in this course; see the Paper Writing Guidelines and Essay Evaluation Sheet if you are unsure about the conventions of formal analytic writing about literature.  Because the final course grade is based upon many factors, not just the exam essay, IT IS POSSIBLE TO ACHIEVE A HIGH GRADE IN THE CLASS BUT NOT EARN GWR CERTIFICATION.  As a rule, NOT all students seeking GWR certification successfully do so through this course.  In other words:  if GWR certification is your ONLY reason for enrolling in this class, you should seriously consider other options.

Texts:  Some required texts have been ordered and are available at the bookstore. Do NOT substitute another edition for these printed works: Other required readings can be accessed electronically by clicking on the links from the ENGL 380 calendar of assignments. Some of these readings are on Electronic Reserve through the Kennedy Library.  Check the reserve list, where electronic readings may be listed individually by author and/or title, or grouped in a folder of "supplemental readings" (supplemental readings are also available in hard copy form).  To view the file, click on the link; you will be prompted to type in your last name and library barcode (the 14-digit number beginning 20150 on the front of your PolyCard).  PRINT OUT SUPPLEMENTAL READINGS AND BRING THEM WITH YOU TO CLASS!!  Finally, a limited number of required readings are poems that can be accessed through the online archive of the Camelot Project website.  These poems should be printed out and brought with you to class.  Note: you must write in LINE NUMBERS for Camelot Project poems BEFORE the class meetings.  ALWAYS BRING ASSIGNED TEXTS WITH YOU TO CLASS!
VIDEO SCREENINGS

We will also discuss several films which are on reserve in the Learning Resources and Curriculum Center (LRC) on the 2nd floor of the Kennedy Library (at back by the elevators). These films are the equivalent of readings and must be viewed  prior to the class meeting at which they will be discussed. Expect READING QUIZZES on film days to ensure that you have screened the films prior to class!  NOTE: These films do not circulate outside the library; they must be screened in the LRC during normal library hours.  At least one group screening will be scheduled (dates and times will be posted on the course calendar), or you may see them on your own time. Please note that only selected scenes from the films will be shown in class; you must arrange to see the full videos during regular LRC hours prior to the class meeting at which they will be discussedRemember: THERE IS NO SUBSTITUTE FOR READING THE WORKS ON THE SYLLABUS!! You will NOT pass this course simply by watching the videos. 

James Franco and Sophia Myles in Kevin Reynolds's unreleased Tristan and Isolde

Course Objectives: ENGL 380 is designed to introduce students to a highly influential medieval love story which has been eclipsed, in modern times, by the better known saga of Lancelot and Guenevere.  We will trace the development of the Tristan tradition from the middle ages to modern times, seeking to understand its ongoing appeal and to analyze the significance it has held for various periods and audiences.  Of particular interest will be the treatment of the adulterous triangle in each work and the author's characterization of the protagonists: Tristan, nephew to King Marc of Cornwall, and Isolde, lover of Tristan and Marc's queen.  Material considered will include artwork, film and an opera in addition to literary works -- romances, novels, poetry, and plays -- from the medieval period through the 21st century.


Course Information:

Calendar of Assignments: The assignment for each class meeting is found on the on-line calendar at http://cla.calpoly.edu/~dschwart/engl380/380syllf04.html All readings (and video screenings, as applicable) are to be completed before the class meeting on the day for which they are assigned.  Unannounced reading quizzes will help monitor whether you are keeping up with assigned readings.  Quizzes will take place during approximately the first 10 minutes of class; expect them regularly! Please note that the on-line calendar (not any printout you make) is authoritative.  Assignments may be changed or modified in the course of the quarter.  Check the on-line calendar regularly (before each class meeting) to ensure that you are completing the correct assignment.

Class email alias:  Important announcements concerning this class will be sent over the class email alias: engl-0380-01-044@calpoly.edu . The class email alias is automatically generated using the email address of each enrolled student found in the Cal Poly Directory server. If your Cal Poly email account is NOT your preferred email address, you must

Remember: you are responsible for any information sent over the class email alias (e.g. changes in assignments; other class-related announcements), so be sure to check your email regularly.  You may also use the alias to send a query or comment to the whole class (including your instructor).  Please do not use the alias for matters unrelated to class.

Wyeth King Mark Slew Sir Tristram (1917)Participation: ENGL 380 is designed to encourage YOUR interaction with and enjoyment of the works we are studying. The primary emphasis is on the texts, not historical background or scholarly debate (although some familiarity with the historical context is essential to an understanding of both medieval and modern works -- and will be covered on exams).  If you are looking for a passive, sit-back-and-listen lecture, please choose another course. YOUR active participation is essential to the success of ENGL 380!  For these reasons . . .

REGULAR ATTENDANCE IS REQUIRED. Each absence will affect the participation portion of your final grade, reducing it from a base of 4.0.  If you have a valid reason for missing class (illness, family crisis, other unavoidable conflict), TELL ME IN WRITING.  A written explanation, signed (by you), is required for an absence to count as excused; be sure to include your full name, the class number, time and section, the date(s) missed and the reason(s) for the absence(s).  (A telephone or e-mail message is appreciated as a courtesy, but it is NOT sufficient for an absence to count as excused).  Any absence for which you do not provide a signed, written explanation will be recorded as unexcused.  Please note: work conflicts and job interviews are NOT valid reasons for missing class; you are responsible for keeping work commitments from conflicting with academic ones.  Exception:  if you are a graduating senior and must travel out of town for a final interview, ONE such absence will count as excused.  Do not schedule local interviews or other appointments during class hours.
Due to the twice-weekly seminar format, any absence causes you to miss a substantial chunk of material. Regular and punctual attendance is required.  Please note that EVERY absence will affect the participation component of your final course grade.

Attendance Grade Calculation:  "Excused" absences (generally, only for medical reasons, a family or other emergency, or circumstances truly beyond your control-- NOT for job conflicts) are weighed less heavily than "unexcused" absences.  For a class that meets twice weekly, the first "excused" absence lowers the attendance component of the course grade by .2 (4.0 to 3.8); the second "excused" absence lowers it by .3 (3.8 to 3.5).  Excused absences in excess of two (a full week, 10% of the class) count the same as unexcused absences.  The first "unexcused" absence lowers the attendance component of the final grade by .5 (from 4.0 to 3.5); the second by .8 (from 3.5 to 2.7); unexcused absences in excess of 2 (a full week, 10% of the class) lower the attendance component of your final grade by a full increment (2.7 to 1.7 etc.)

Please note that only absences resulting from illness, a family emergency, or circumstances truly beyond your control count as excused.  Absences taken for personal convenience are a matter of choice rather than necessity; they will be recorded as unexcused. Please note that deadlines for other courses, work conflicts and job interviews are NOT valid reasons for missing class.  Exception:  a graduating senior will be granted ONE excused absence for an out-of-town job interview.

FOR ANY ABSENCE TO BE EXCUSED, YOU MUST SUBMIT A SIGNED, WRITTEN NOTE with course number, date missed and an explanation of the circumstances leading to your absence.  (Although I do appreciate your courtesy in letting me know why you have missed a class, an Email or a phone message will not suffice; a written statement with your signature is required for an absence to be excused.)

GRADED WORK:

Some classes will begin with an unannounced READING QUIZ.  Quizzes are designed to monitor whether you are keeping up with assigned readings (IDs of names and/or key episodes) and to provide you with a handy study guide for exams (so, be sure you know the basic facts about the day's reading -- author, title, date of composition, original language, etc.).

PAPERS: 2 short analytic essays (3-4 pp. ea.), due ?? and ??.  Literary analysis and/or close reading presenting an argument about the interpretation of the Tristan and Isolde story found in the material under analysis.  Topics MUST be chosen from a list of suggested prompts or PRE-APPROVED by instructor after an individual conference.

*OPTIONAL* ORAL PRESENTATION:  Time will be reserved toward the end of the quarter for OPTIONAL oral presentations based on supplemental material chosen by the student in conjunction with the instructor.  Creativity is encouraged:  a performance, the creation of a website or a power-point-presentation welcome!  Future teachers:  consider presenting a supplemental reading (a short story or poem which we will make available to your classmates as an e-reading) or analyze some Tristan-themed artwork. Presenters will prepare a one-page handout for distribution to classmates.  Oral presentations will count for 10% of the final course grade (see breakdown below).

Edmund Blair Leighton, Tristan and IsoldeEXAMS will cover readings, lectures, and required videos.  The two-hour Midterm Exam (closed book, in class, 1??) and three-hour Final (closed book, on Thursday, 12/9) will each include an essay which you may use to try for GWR certification.  Essays will be worth 50% of exam points; the remaining 50% will be for the objective portions of the exam.  Expect factual questions (T/F, matching, multiple choice) about assigned works and key concepts covered in lectures and background materials. There will also be item IDS:  choosing from a list of key names, objects, and/or episodes, you will identify the work(s) in which the item appears and explain its significance in those works.  The Final Exam will be cumulative, but with emphasis on material covered since the Midterm exam.

FINAL EXAM TIME: Thursday, December 9, 1:10 - 4:00 PM. You MUST take final exam at the scheduled time. KEEP THIS DATE IN MIND AS YOU MAKE YOUR TRAVEL PLANS!

painting by J. W. Waterhouse 1916 (detail)

Course Grade Calculation:
 

 25% *  In-class work.  Equal weight is given to participation (based primarily upon class attendance) and to your cumulative quiz average.  (*Exception: students completing an oral presentation will have it count for 5% of in-class work grade.)
 25% Writing assignments.  Equal weight given to Papers 1 and 2. 
 50%* Exams (cumulative total).  (* Exception:  students completing an oral presentation will have it count for 5% of Exams grade.) Note: Because this is a C4 writing-intensive course (new GE -- C3 in the old GE), 50% of exam points are for essays.
 (10%)* Optional Oral Presentation (counts as 5% of  In-class work grade and and 5% of cumulative Exams grade)


OH MY GOSH . . . CAN I HANDLE THIS CLASS??

Sure you can -- if you keep up with the readings!  But DON'T assume that the class will "take care of itself."  If you have a heavy course- and/or work-load, please be sure to budget time for this class . . . or save it for another quarter.  Finally. . . remember that I LOVE teaching this stuff, and I'm told that my enthusisam makes my classes more fun!

And WHAT ABOUT THOSE TWO-HOUR BLOCKS?

Rest assured, we'll take a break each day.  Feel free to bring along a caffeinated (or non-caffeinated) drink -- whatever it takes to keep you alert through two hours.  If there is sufficient interest, rotating cookie duty will be arranged!
 

WELCOME, AND ENJOY!!!

Contents of this and all linked pages Copyright Debora B. Schwartz, 2004

detail, Mac Harshberger, Tristan drinks the cup, illustration for Bedier's Tristan and Isolde  (New York: Albert & Charles Boni, 1927)Return to Dr. Schwartz's Home Page

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Mac Harshberger, Tristan adrift, illustration for Bedier's Tristan and Isolde  (New York: Albert & Charles Boni, 1927)