After taking this course, the successful student will have an enhanced ability to: apply knowledge and understanding acquired in lower-division coursework in the humanities to a new, but related area of inquiry (apartheid and post-apartheid South Africa); respond in depth to the kinds of issues of language, representation, and historical context that they approached in lower-division study through the interdisciplinary examination of the humanities in South Africa, both during apartheid and after its demise; appreciate the humanistic implications of focusing on South Africa over a half-century and the way in which relationships between various areas—the arts and politics, for example—can provide perspective on knowledge; understand the value of questioning and learning through synthesis; gather, evaluate, interpret, and apply information to situations beyond the classroom; explore in detail the troubled past and more promising present of South Africa in order to comprehend their importance in the nation’s reinvention as a model democracy, committed to inclusion and representation at every level of society; evaluate historical data and place it within the broad context of South African culture—whether entrenched, emerging, gender- and/or diversity-based; and articulate arguments in structured writing-intensive and oral form.

You will be expected to: articulate a minimum of 3,000 words in assignments of various lengths;  and actively participate in class.

The successful student will: achieve a greater perspective on South African history and culture, including—but not limited to—its art, literature, music, philosophy, and performance; understand how the current civil rights of South Africans emerge from the mistakes and abuses of their nation’s troubled apartheid past; appreciate the artistic and philosophical dimensions of South African culture, broadly defined; see how “high culture”—such as canonized literature or curated exhibitions—impacts attitudes about the relative value of other cultural achievements—such as graffiti art, hip hop, and other emerging forms of South African youth culture; comprehend the relationship of the individual to society; understand people of different culture/s and relate them to their particular situation.

Grade Breakdown

Active Oral Participation (10%)

Exams (60%)

Final Project (30%)

 

 


 



Calendar

21 June

  • Introduction
  • Mandela: Son of Africa, Father of a Nation (first third)

22 June

  • Cry, the Beloved Country
  • Mandela: Son of Africa, Father of a Nation (second third)

23 June

  • Cry, the Beloved Country
  • Mandela: Son of Africa, Father of a Nation (last third)

24 June

  • Maids and Madams

28 June

  • Blood Knot

29 June

30 June

1 July

6 July

  • Exam 1 (Identifications)
  • Amandla! A Revolution in Four-Part Harmony

7 July

  • The Madonna of Excelsior (first half)
  • Exam 1 (Essay due)

8 July

  • The Madonna of Excelsior (second half)

12 July

13 July

14 July

  • Umgidi

15 July

  • Exam 2 (Identifications)
  • Deadline for approval of Final Project

19 July

20 July

  • Knowledge in the Blood (second half)

21 July

  • Panel discussion with Neville and Tessa

22 July

  • Final Project due
  • 21 Up South Africa: Mandela's Children

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 
 
 

 

 

Addional Links of Potential Interest

ANC Authors

Apartheid Museum

Apartheid Legislation

Constitution of the Republic of South Africa

Dialects of South Africa

District Six Museum

Institute of Justice and Reconciliation

Kudu Club

Mandela: His Political Past and Future

Mandela: An Audio History

Political Parties

PW Botha's Death

South African Broadcasting Corporation

South African Constitution

South African Government Information

South African History Online

South African Media

South Africa's Rocky Road to Democracy

South African Tourism

Steve Biko

Timeline: South Africa

Truth Commission Report: At a Glance

Truth and Reconciliation Commission of South Africa Report

Vergelegen

Youth Radio: The Lingering Legacy of Apartheid

 

Required Texts

Biko, Steve.  I Write What I Like

Coetzee, J.M. Disgrace

Fugard, Athol.  Blood Knot and Other Plays

Gordimer, Nadine. July's People

Jansen, Jonathan. Knowledge in the Blood

Mda, Zakes.  The Madonna of Excelsior

Paton, Alan.  Cry, the Beloved Country