Factual Information and Cognitive Skills

After taking this course, the successful student will have an enhanced ability to: apply knowledge and understanding acquired in lower-division coursework in the humanities to a new, but related area of inquiry (apartheid and post-apartheid South Africa); respond in depth to the kinds of issues of language, representation, and historical context that they approached in lower-division study through the interdisciplinary examination of the humanities in South Africa, both during apartheid and after its demise; appreciate the humanistic implications of focusing on South Africa over a half-century and the way in which relationships between various areas—the arts and politics, for example—can provide perspective on knowledge; understand the value of questioning and learning through synthesis; gather, evaluate, interpret, and apply information to situations beyond the classroom; explore in detail the troubled past and more promising present of South Africa in order to comprehend their importance in the nation’s reinvention as a model democracy, committed to inclusion and representation at every level of society; evaluate historical data and place it within the broad context of South African culture—whether entrenched, emerging, gender- and/or diversity-based; and articulate arguments in structured writing-intensive and oral form.

Physical Performance and Procedural Skills

In this writing-intensive course, you are expected to: articulate a minimum of 3,000 words in assignments of various lengths;  and participate in oral communications.

Attitudes, Values, and Social Skills

The successful student will: achieve a greater perspective on South African history and culture, including—but not limited to—its art, literature, music, philosophy, and performance; understand how the current civil rights of South Africans emerge from the mistakes and abuses of their nation’s troubled apartheid past; appreciate the artistic and philosophical dimensions of South African culture, broadly defined; see how “high culture”—such as canonized literature or curated exhibitions—impacts attitudes about the relative value of other cultural achievements—such as graffiti art, hip hop, and other emerging forms of South African youth culture; comprehend the relationship of the individual to society; understand people of different culture/s and relate them to their particular situation.

Assessment Methodology

Paper of 1,500+ words (30%)
You will demonstrate an in-depth understanding of a specific element of South African culture.  The paper should bridge material presented in course and your own academic fields of study.  You will be graded on how well you articulate an argument and document your findings and conclusions.  You will also be required to connect your research with one or more related areas of study, such as issues of gender or diversity.

Final exam (multiple-choice and essay), 500+ words (20% )
You will be expected to demonstrate knowledge of essential facts, to analyze, criticize, and synthesize material.

Midterm exam (multiple-choice and essay), 500+ words (20%)
You will be expected to demonstrate knowledge of essential facts, to analyze, criticize, and synthesize material.  You will be encouraged to meet me to discuss written feedback provided on effectiveness of your writing.

Paper outline, 500+ words (10%)
You will articulate a working hypothesis or critical question that will guide your work for the final paper and will be required to meet with me to discuss written feedback provided on its strengths and weaknesses.

Weekly quizzes, each 200+ words (10%)
Quizzes will test your understanding of how different concepts, icons, terms, and figures fit into the scope of South African culture.  You will be encouraged to meet with me to discuss written feedback provided on effectiveness of your writing. 

Oral presentation, 1,000+ spoken words (10%)
Oral presentations will supplement and/or test materials on gender and diversity previously presented and discussed in class.  You will be judged on your ability to articulate your arguments in structured oral form and to contextualize them within their broader historical and cultural contexts.


 



Syllabus

Required Texts

Biko, Steve.  I Write What I Like

Coursepack

Fugard, Athol.  Blood Knot

La Guma, Alex.  In the Fog of the Season’s End

Mda, Zakes.  The Madonna of Excelsior

Paton, Alan.  Cry, the Beloved Country

Working Calendar (subject to change)

Features, Application, and Impact of Apartheid

25 July: “Apartheid and South African Society” (MacKinnon); "Life Under Apartheid";"Exposing the Myth: White South Africans' Support of Apartheid"; "South Africa: The Racist Capital of the World"

26 July: “Apartheid and South African Society” (MacKinnon); Cry, the Beloved Country (Paton 7-117); "Apartheid South Africa"; "South Africa Documentary"; "PW Botha Interview (Part 2)", "His Big White Self", "South Africa Explained..."

30 July: “Apartheid and South African Society” (MacKinnon); Cry, the Beloved Country (Paton 118-224); Maids and Madams; Quiz 1

31 July: Cry, the Beloved Country (Paton 225-312); “Vulture Culture” (Breytenbach)

1 August: “Writing from Prison” (Schalkwyk); Robben Island Museum; Mandela: The Man and His Country; Quiz 2

Art/s of Resistance

2 August: I Write What I Like (Biko 17-32); Blood Knot (Fugard 3-73); Delarey (subtitled in English), Delarey Song: Why the Outcry? (Part 1, Part 2)

6 August: I Write What I Like (Biko 33-119); Peter Gabriel (Biko);The Life and Death of Steve Biko (Part 1, Part 2); Quiz 3

7 August: I Write What I Like (Biko 138-153); 1977 Biko interview (shortly before his arrest); In the Fog of the Season’s End (La Guma 1-71); Rythm of Resistance

8 August: In the Fog of the Season’s End (La Guma 72-181); Quiz 4

9 August: Amandla!  A Revolution in Four-Part Harmony

13 August: Midterm Examination (Essay Topic)

Africanization of South Africa?

14 August:“The African Transformation of South Africa, 1976-1994” (MacKinnon); The Madonna of Excelsior (Mda 3-55); "Afropolis: From Johannesburg" (Nuttall & Mbembe)

15 August: “African Renaissance” (Mugadi, Parr, Kadalie, Mda, and Accone); “The African Renaissance” (Lodge); The Madonna of Excelsior (Mda 56-125); Oral Presentations (Jared H.); Quiz 5

16 August:Liberated Voices:  Contemporary Art from South Africa (Herreman et al); "Mammon, Magic, Mimicry, and Meaning in Public Postaparheid Johannesburg" (Braude); The Madonna of Excelsior (Mda 126-187); Umgidi (Shadow Dancing); Paper Outline due (for guaranteed feedback by 20 August)

20 August: The Madonna of Excelsior (Mda 188-256);The Long Walk of Nelson Mandela; Oral Presentations (Jennifer G.); Umgidi (Shadow Dancing); Quiz 6; Paper Outline due (for feedback by 23 August--not guaranteed)

Representing (and Representation in)  Post-Apartheid South Africa

21 August: “The New South Africa, 1994-present” (MacKinnon);Constitution of the Republic of South Africa; "Where the Road to Renaming Does Not Run Smooth" (Wines); Oral Presentations (Amy H., Marshall L.)

22 August: “Cape Town’s Coon Carnival” (Martin); “Hip-Hop Graffiti Art” (Klopper); "A Translation" (Krog); Oral Presentations (Sarah W., Beth D., Kirsten V.); Quiz 7

23 August: “Joseph Shabalala:  African Composer” (Ballantine); “Kwaito” (Stephens); YouTube Kwaito Videos; Oral Presentations (Laura A., Abigail K., Lindsay B.); Quiz 8

27 August: “Art Worlds:  The Performances of Samson Mudzunga” (Kaplan); Oral Presentations (Ryan F., Marlize van R., Derek J.); Quiz 9

28 August: "Struggle for Relevance in Post-Apartheid Era" (Nunns); Oral Presentations (Whitney E., Cameron O., Camas F., Justin B., Matt A., Kevin M., Kara C., Tanya W.); Final Exam Review; Paper due

29 August: Final Examination (3-5 p.m., Essay Topic)

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 
 
 

 

 

Addional Links of Potential Interest

Allister Sparks Goes' Inside the New South Africa'

South African artist William Kentridge, the 2006 McBean Distinguished Lecturer at San Francisco Art Institute, explores the history and post-apartheid political transformations of his native South Africa. (January 25, 2006) AUDIO PODCAST (01:27:15) Play in browser window or iTunes

District Six Museum

Institute of Justice and Reconciliation

Mandela: His Political Past and Future

Mandela: An Audio History

PW Botha's Death

South African Broadcasting Corporation

South African Government Information

South African History Online

South Africa's Rocky Road to Democracy

Truth Commission Report: At a Glance

Truth and Reconciliation Commission of South Africa Report

Youth Radio: The Lingering Legacy of Apartheid