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Students Admitted Without an
English Major or Minor
If the Admissions office informed
you that you are admitted as a conditionally classified student,
you will need to take some undergraduate English classes prior to
(or concurrent
with) graduate classes. If you are a conditionally classified
student, you need
to enroll in the following courses unless you have already taken
their equivalent
elsewhere:
| ENGL 302 |
Advanced
Composition |
| ENGL 326 |
Literary Theory from
Plato to Present |
| One of
the following 300-level American
literature courses: |
|
ENGL 340, 341, or 342 |
| One of
the following 400-level American
literature courses: |
|
ENGL 449, or 459 with a
strong American content |
| One of
the following 300-level British
literature courses: |
|
ENGL 330, 331, 332, 333,
334, or 335 |
| One of
the following 400-level British
literature courses: |
|
ENGL 430, 431, 432, 439, or
459 with a strong British literature content |
Please contact the
Graduate Coordinator
with questions concerning conditionally classified admittance.
Degree
Requirements
To earn your Master of
Arts in English,
you must fulfill the following requirements:
-
Complete 48 units of graduate work according to the program
outlined below (see
English M.A. Curriculum) and written up in
your Formal
Study Plan that you fill out with the Graduate Coordinator at
the beginning
of your studies
- Fulfill the Writing Proficiency Exam
- Maintain a
grade point average of 3.0 or better
- After
completion of 12 units
of graduate work of 3.0 or better, see the Graduate Coordinator to fill out
the Advancement to Candidacy form
- Complete five quarters
of a foreign language ( e.g., through Spanish 122) or pass the translation exam
- Pass the MA comprehensive exam
Course
Load
Graduate students normally enroll
in two English courses each quarter, which is considered
“full-time”
status. However, some students who have time-consuming jobs or
family responsibilities
will choose to take only one course per quarter, while other
students find that
they can manage two or three English courses in addition to a class
taken Credit/No
Credit (e.g., foreign language).
Educational
Leave
You may discontinue taking classes
for three consecutive quarters and still return to the program
without any fee
or paperwork (e.g., you could choose not to take classes in Winter,
Spring and Summer
and start up again in the Fall with no problem). However, if you
take more than
three consecutive quarters off, you will need to re-apply to the
program through
Admissions. This is basically a formality, but it does involve filing an
abbreviated application and paying the admissions fee again.
Grade Point Calculation for
M.A. Degree
The base for calculating your GPA
includes all courses on your Formal Study Plan taken after you have
been admitted to
the M.A. program. If you are taking a course which is not part of
your Formal Study Plan (the 48 units that count toward your M.A. degree), you
may take it Credit/No Credit so that it will not affect your GPA.
(Foreign language
courses taken to fulfill the foreign language requirement may also
be taken Credit/No
Credit.) If you are a conditionally classified student taking
prerequisite undergraduate
classes, you must take these courses for a grade. All courses listed on your
Formal Study Plan must be taken for a grade except when only a
Credit/No Credit option exists.
Incompletes
To avoid receiving Incompletes in
classes, finish the work by the due date. If you do receive an Incomplete,
finish the work as soon as possible. Some professors do not
give you the option of receiving an Incomplete. Incompletes change
to F’s
after one year, and F’s impossible to remove from your
record. If an F pulls your GPA below 3.0 and you cannot
raise it before graduation time, you will not graduate.
Unofficial
Withdrawals
After enrolling through
POWER, you must check
your student record at MustangInfo
to make sure that it is accurate. Do not assume that, just because you never
attended a class the professor will drop you; you should drop
yourself through
POWER. If officially enrolled but not dropped, you will be assigned
a U (Unofficial Withdrawal). This U is figured into your GPA as an F, and a
U is very difficult to remove from your record.
Graduation with
Distinction
Those students who attain a GPA of
3.75 or higher and who pass the M.A. exam with a “High Pass” may
be recommended by the Graduate Committee as “Graduating with
Distinction.”
This honor will appear on the student’s transcript.
Academic
Probation
Graduate students are
placed on academic
probation for failure to maintain a GPA of at least 3.0 in all
courses listed on the Formal
Study Plan. The Graduate Coordinator will send you
a contract with a grace period allowing you to bring your GPA back
to 3.0. Remember
that you must have at least a 3.0 GPA to receive your M.A.
degree.
Writing
Proficiency Examination
During your first or second quarter
in the graduate program, you should pass the Graduation Writing Requirement
by signing up in the Writing Skills Center to take the Writing
Proficiency Exam (WPE), which fulfills the requirement. Further
information
can be obtained from the Writing
Skills Center in Building 10, Room 130.
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Coursework Certain courses are required of everyone
(36 units), while others are specific to a particular emphasis area
(12 units).
Plan your program carefully, in consultation with the Graduate Coordinator,
so that you will be able to fit in all the requirements during your projected
graduate career.
| Required Courses |
Units =
36 |
| ENGL 501 |
Techniques of
Literary Research (4 units) |
| ENGL
502’s |
Two Seminars in
Critical Analysis, Historical (4) and Contemporary
(4) |
| ENGL 503 |
Graduate Introduction
to Linguistics (4) |
| ENGL 505 |
Seminar in Composition
Theory (4) |
| ENGL
511’s |
Two Seminars in
American Literary Periods (4) (4) |
| ENGL
512’s |
Two Seminars in British
Literary Periods (4) (4) |
| Emphasis Areas |
Units =
12 |
| Each
emphasis area consists of three
courses: |
Literature
Emphasis:
Three
literature courses at the 400
and 500 level.
Linguistics/TESL
Emphasis:
| ENGL
495 |
Topics in
Applied Language Study |
| ENGL
497 |
Theories of
Language Learning and Teaching |
| ENGL
498 |
Approaches
to Teaching English as a Second Language/Dialect |
| (These courses double-count toward the English M.A.
degree and the TESL
Certificate Program.) |
Creative Writing
Emphasis
(three of the following):
| ENGL 487, 488 or 489 |
Poetry or Fiction
Writing; (may be taken and counted twice) |
| ENGL 590 |
Independent Study; one-on-one with a poet or
fiction writer in residence. |
Technical
Communication Emphasis:
| ENGL
411 |
Writing
Interactive Documents |
| ENGL 518 |
Technical
Communication Theory |
| Four
units from the following: |
| ENGL
408 |
Internship |
| ENGL 418 |
Technical
Communication Practicum |
| ENGL 485 or 496 |
Cooperative Education
Experience |
(These courses
double-count toward the English M.A. degree and toward
the Technical Communication Certificate Program.)
Composition
Emphasis:
Courses to be determined
with Graduate
Advisor. See Composition.
Description of
Graduate Seminars
Graduate (500 level)
classes are defined
as seminars, which means that you will be asked to take a more active role in
class preparation and participation than you may have been used to in your
undergraduate courses. Reading typically consists of primary
and secondary sources (literary criticism) because it is important for you to
familiarize yourself not just with the literature, but also with
the discussion
about its meaning that has gone on within the community of critics over the
years since the work was first published. Although professors are aware that
for some of you this will be the first time that you have had the opportunity
to read certain literary works, you should expect to be assigned
literary criticism
along with the literature. Think of this criticism as an opportunity to read
what others have had to say about the literature; if you approach
literary criticism
with an open mind, you will find that critics, like the professor, can help
you understand and appreciate more the literature you read.
Graduate seminars place a premium
on knowledgeable and enthusiastic classroom discussion, so it is important to
come to class prepared to talk about the literature and criticism. Although
you can expect some professorial lecture to fill in the background, clarify
difficult issues, and set the stage for discussion, you should
think of a graduate
seminar as a place for you to ask questions of other students as well as the
professor and to receive input from others in developing your own ideas about
literature.
Graduate seminars are workshops in
which all the participants collaborate on furthering knowledge. As
part of classroom
participation, you may be asked to lead a discussion, give an oral
presentation,
or read aloud a short paper or a summary of a longer one, in order
to practice
communicating your ideas to others and to receive their positive
comments and constructive
criticism.
Your graduate seminar may include
midterm exams, a final exam, or other in-class writing to help you
prepare for
the comprehensive M.A. exam, which you take at the end of your
coursework. For
most graduate seminars you can expect to write a lengthy seminar paper at the
end of the quarter.
Suggested
Guidelines for Graduate
Seminars
The following guidelines
are not rules
but suggestions for faculty and students on what to expect in a
graduate seminar.
An attempt will be made to do the following:
- Keep the total
cost of the textbooks for any one class below
$100;
- Include as many works as
possible from the M.A. exam reading list (in most cases, at least
75% overlap);
- Give attention
to both
primary and secondary sources, recognizing that some
students are coming to
certain works of literature for the first time and therefore need some basic
instruction, but also acknowledging the importance of literary
criticism to the
understanding and appreciation of literature at the graduate
level;
- Include
lectures that provide
students with professorial guidance, but limit these lectures to those that
give background and context for classroom discussion (typically,
lectures would
not exceed 25% of the course);
- Encourage vigorous and
informed student discussion in a collaborative learning environment
(normally,
discussion would constitute at least 35% of the course);
- Provide an opportunity
for students to give oral presentations or to read summaries of
their work aloud,
and to ensure that there is student and professional feedback (normally,
oral presentations and summaries would constitute no more than 30%
of the course);
- Schedule in-class writing
to assist in preparing for the M.A. exam;
- Assign several shorter
essays (5-8 pages) or a lengthy seminar paper (20 pages) that will be graded
both in terms of style (including grammar) and content (such
criteria as originality
of argument, persuasiveness of assertions, and demonstrated
understanding of the critical
history on a work);
- Ensure that the workload
in any one class is not overly burdensome on students and is
roughly comparable
to that of other English graduate classes in the program;
- Make all course
assignments
and grading criteria clear in writing at the beginning of the course. Faculty
who wish to allow graduate students to revise or do more work in
order to bring
up their course grade should assign an Incomplete. Graduate
students who receive
a D or F do not receive any credit for the course, even though the low grade
does get factored into their GPA; if the course is retaken, the new
grade simply is entered along
with the other grades, including the earlier low grade. Graduate
students must maintain a B average in order to receive their M.A. degree; no
exceptions are ever made to this rule.
Foreign Language
Requirement
You must demonstrate a
reading knowledge
of a foreign language by meeting one of the following
requirements:
- Take five quarters of a
foreign language (e.g., through Spanish
122)
or
- Pass a translation exam
at Cal Poly (with a dictionary)
Foreign language classes
may be taken
Credit/No Credit. Sample translation exams are available in the
English Department
office. If you choose to take the exam, you should fill out a
Request to Take the Translation Exam
and submit it to the English Graduate Coordinator early in the quarter
you plan to be tested. The Modern Languages and Literatures Department tests
our students as a professional courtesy, and the professors do the work as an
overload, so the test should be arranged at their convenience.
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Instructorships
(sometimes called “teaching
assistantships”)
Graduate instructorships are teaching positions open to graduate
students. Each Spring, applicants are selected
for inclusion in the pool of graduate instructors for the following academic
year. The position will be advertised by the middle of March. Your
application should include the following:
- A Cal Poly faculty
application
- A current
transcript
- Three letters of
recommendation
- Curriculum
vitae
- A cover letter
stating your interest in the position and abilities
Before being assigned to a class,
you need to have completed the following teaching prerequisites:
- ENGL 399 (Tutor Training)
and concurrent work in the Writing Lab
- ENGL 505 (Seminar in
Composition
Theory)
- 12 units of coursework
toward the M.A. degree with a 3.0 GPA or better
(ENGL 399 is usually
offered in Fall,
Winter and Spring; ENGL 505 is offered in Spring. 505 is graded and
counts toward
the M.A. degree. 399 is Credit/No Credit. 505 is a 4-unit class,
while 399 is 2 units. You may enroll
in 505 through POWER. To enroll in 399, contact the Head of the Writing
Skills Office.)
Following the completion of these
requirements, the Director of Writing Programs evaluates your work
in your courses
and in the Writing Lab. At this point, you may be assigned
a class for the quarter you have requested, or you may be asked to
observe and
work with another composition instructor for the next quarter and to continue
working in the Writing Lab until you are eligible for a teaching assignment.
You are expected to enroll in ENGL 506 (Seminar in Composition
Pedagogy) during
the Fall quarter in which you do your first teaching. If you do
not plan to start teaching
until Winter or Spring, you should still enroll in ENGL 506 when it
is offered
in the Fall. (506 is 4 units Credit/No Credit and does count toward the
M.A. degree. You may enroll in 506 through POWER.)
If you have previous
teaching experience
which you think might affect your application or if you want more information
regarding qualifications, salary, or scheduling of classes, please contact
the Director of Writing Programs.
Qualified students may
have the opportunity
to be graduate instructors for three quarters if there is enough
undergraduate
student demand for writing classes. You will be offered a fourth quarter as
a graduate instructor only after other students who have not yet taught for
three quarters have been assigned courses. You do not have to be enrolled in
classes during the quarter in which you are a graduate instructor.
You may choose
to teach courses as a graduate instructor after you have finished
all your coursework.
However, once you pass the M.A. Exam, you are no longer eligible to
be a graduate instructor.
GPA Required of
Graduate Instructors
Graduate students whose GPA's fall
below 3.0 will normally be denied graduate instructorships until they bring
their GPA back up to 3.0.
Evaluations of
Graduate Instructors
The Director of Writing Programs,
the Head of the Writing Skills Office, and other designated professors will
visit your class to evaluate your teaching at least once during
your first quarter
of teaching and during your third quarter. Copies of
evaluators’ written
evaluations will be sent to you, and you may submit written responses if you
choose. Before each quarter’s teaching assignments are made,
the Director
of Writing Programs will review your application for a teaching position, the
evaluations of your teaching, and your responses in order to rank
you in relation
to the other applicants for teaching assignments.
Graduate
Instructors with Incompletes
Graduate students with
more than two
Incomplete grades (I’s) on their records will normally be
denied graduate
instructorships until the work in those classes is completed and
those Incompletes
are changed to a grade.
Apprenticeship
Program
The apprenticeship
program (ENGL 515,
also called the mentorship program) allows graduate students to
gain experience
in the teaching of literature or linguistics at the university
level and thus enhance
their potential on the job market. You will work with your chosen mentor in
planning a course, giving occasional lectures, leading discussions,
and helping to
design exams. To be eligible to become an apprentice
(to enroll in ENGL 515), you need to have a 3.0 GPA and to have completed 8
units of graduate work. For more information on the apprenticeship program,
contact the Graduate Coordinator. (For bureaucratic purposes, ENGL
515 is always
listed in the Class Schedule under the Graduate Coordinator’s
name. ENGL
515 is 2 units, Credit/No Credit, and repeatable. It does not count
toward the
48 units of your M.A. degree.)
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The M.A. exam is offered each Fall
and Spring, usually near the end of the quarter. Be sure to fill out the M.A.
Exam Sign-Up Sheet in the English Department office by the end of the second
week of the quarter in which you intend to be tested.
The quarter before you
plan to take
the exam, be sure to fill out your Formal Study Plan
and Advancement to Candidacy forms with the
Graduate Coordinator
if you have not already done so. Once these forms have been completed, go to
the Evaluations Office to have your records evaluated. You will be
sent a Summary
of Remaining Master’s Degree Requirements which will list any
discrepancies
between your Formal Study Plan and the courses you actually have
taken. If there are
discrepancies, take this summary to the Graduate Coordinator and fill out an
Amendment to the Formal Study Plan.
You must demonstrate that all your
degree requirements will be met by the end of the quarter in which you take
the exam. The dates and location of the M.A. exam and of any exam workshops
will be announced by the end of the second week of the quarter.
Content of the
Exam
Part I of the exam (first
day) contains
three sections on literature, each timed for 75 minutes. One of the sections
will focus exclusively on American literature, one on British
literature, and the third
will contain questions pertaining to literary criticism, special
themes, or relationships
between British and American literature.
Part II of the exam (second day)
will cover linguistics, composition, and your emphasis area, again timed for
75 minutes each. The emphasis area you choose for your exam
(composition, linguistics,
or literature) does not have to be the same emphasis area in which
you did your
coursework.
Sample questions
illustrating range
of breadth and specificity are as follows:
- British literature: Write
a well-constructed essay in which you delineate the central
differences between
the Victorian and the modern novel, drawing your examples from
British literature.
In the course of your answer, spend some time explaining how these
differences
require and reflect a change in the relationship between writer and
reader.
- American literature:
Is Edgar Allan Poe a Romantic poet? Is he an American
Transcendentalist?
Write an essay in which you attempt to define the relation of
Poe’s work
to that of two or three other authors writing in approximately the same time
period, for example, Emerson, Thoreau, Hawthorne, Melville,
Longfellow, Whitman.
Discuss both the similarities and differences between Poe’s
work and the other authors' works.
- Composition:
Let’s say for the sake of argument that there are four primary
dimensions to teaching and assessing student writing: the
formalistic approach,
the referential approach, the expressive approach, and the
rhetorical approach.
First, define these terms as you understand them from your reading. Then show
which of these you see as primary in writing class and what the relationship
of the others to that primary approach should be.
Grading of the
Exam
The names of students
taking the exam
remain anonymous. When evaluating the exam responses, graduate faculty do not
know the identity of the student. Results of the M.A. exam are released
only to the graduate faculty and to the individual student, not to
other students.
The Graduate Coordinator proctors the exam.
At least two professors,
working separately,
will read and grade your exam. Each of the six sections of the exam is graded
High Pass, Pass, or Fail. You must pass five sections in order
to pass the exam. If your exam does not pass, readers will provide a written
explanation of its weak points, with suggestions for improvement.
Challenging and Retaking the
Exam
Students may petition the Graduate
Coordinator to challenge their results on the M.A. exam. However, because an
established procedure already exists for grading the exam, only
petitions that
conclusively detail reasons for reassessment will be forwarded by
the Graduate
Coordinator to the Graduate Committee.
Students taking the exam for the
first time must pass at least five sections (out of a total of six)
to satisfy
the comprehensive exam requirement. Those who have failed all or any sections
of the M.A. exam will be allowed to retake the exam; however, they must pass
all of the remaining sections. Students may take the M.A. exam a
total of three times. This includes taking the exam for the first
time and two
retakes. A student may petition to take the exam after failing for the third
time; however, such petitions will only be approved by the Graduate Committee
due to extraordinary circumstances.
Students are strongly
encouraged to meet with
the Graduate Coordinator to develop a plan for passing the M.A.
exam. This plan
should include taking coursework, writing responses to sample essay
questions,
and working with the appropriate professors. The Graduate faculty
aims to assist
the student in preparing for the M.A. exam, but ultimately the responsibility
for passing the exam rests with the student.
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At first glance, this list of works
may seem long, but take a closer look. Many of these works will
already be familiar
to you from your undergraduate reading (the Norton and other
anthologies). These
works are included in most undergraduate English programs; secondary school
and community college teachers are expected to know them; and they are also
essentially the same as the GRE reading list, for those interested in Ph.D.
programs.
Graduate study presupposes a good
deal of independent thinking on your part as a candidate for the
Master’s
degree. You are responsible for all the works on this reading list.
Though professors
of graduate classes are encouraged to use the reading list as a guideline for
text selection in their courses, you should be able to deal effectively with
the texts on this list whether or not they have been specifically
“taught.”
As you read, keep in mind the following:
though M.A. questions will vary in format, satisfactory answers must include
strong supporting evidence, particular references to authors’
main themes,
styles, meaningfully specific details. You should also prepare to answer
questions dealing with literary trends and transformations in
genres and styles
over the years, and you should be able to demonstrate a general understanding
of the historical and cultural context that produced the literary works you
discuss.
NOTE: For anthology
selections, the
Norton anthology is recommended, though other major collections
(e.g., Oxford,
Macmillan, Heath) are acceptable.
| Medieval |
| |
| Beowulf | |
| |
| Chaucer: |
The Canterbury Tales (especially the “General Prologue,”
“Knight’s Tale,” “Miller’s
Tale,” “Nun’s
Priest’s Tale,” “Wife of Bath’s Prologue
and Tale,”
“Merchant’s Tale,” “Franklin’s
Tale,” “Pardoner’s
Prologue and Tale”)
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| Sir
Gawain and the Green Knight |
| |
| Everyman or The Second Shepherd’s
Play |
| Renaissance |
| |
| Wyatt: |
anthology
selections |
| |
| Surrey: |
anthology
selections |
| |
| Sidney: |
The Defense of
Poesy, Astrophel and Stella (anthology
selections) |
| |
| Spenser: |
The Fairie
Queene, Books I and III, Amoretti (anthology
selections), “Epithalamion” |
| |
| Marlowe: |
Dr. Faustus |
| |
| Shakespeare: |
four plays: (one
comedy, one history, one tragedy and one romance,)
and sonnets (anthology selections) |
| |
| Donne: |
“A Valediction
Forbidding Mourning,” “The Ectasy,”
“The Canonization,” “The Flea,” Holy
Sonnets (anthology
selections) |
| |
| |
Poetry:
At least eight poems from each of the following three poets,
including in each case the works specified: |
| Ben
Jonson: |
One play, “To
Penshurst,” “On My First Son” |
| George
Herbert: |
“The
Collar,” “Love III” |
| Andrew
Marvell: |
“To His Coy
Mistress,” “The Garden” |
| |
|
At least four poems from each of the following three poets,
including in each case the works specified: |
| Robert
Herrick: |
“The Argument
of His Book,” “Corinna’s
Going A-Maying” |
| Robert
Crashaw: |
“On the Wounds
of Our Crucified Lord,” “To
the Noblest and Best of Our Ladies, The Countess of
Denbigh” |
| Henry
Vaughan: |
“Regeneration,” “The Retreat,”
“The
Waterfall” |
| |
| |
| Webster: |
The Duchess of
Malfi |
| |
| Milton: |
Paradise Lost
Books I, III, IV, IX, XII, “Lycidas,” “On
the Late Massacare in Piedmont,” “Methought I Saw My
Late Espoused
Saint” |
| Restoration and Eighteenth Century |
| |
| Dryden: |
MacFlecknoe, “An
Essay on Dramatic Poesy” |
| |
| Swift: |
Gulliver’s
Travels (especially Books I and IV), A Modest
Proposal |
| |
| Pope: |
The Rape of the
Lock: two of the following: An Essay on Man
Epistle I, An Essay on Criticism, The Dunciad Book
IV, Epistle
to Dr. Arbuthnot |
| |
| Johnson: |
The Vanity of
Human Wishes, Preface to The Plays of Shakespeare,
Lives of the Poets (selections including Cowley, Milton,
Pope) |
| |
| |
Eighteenth-Century Novel:
One work from each of the following authors: |
| Defoe: |
Robinson
Crusoe or Moll Flanders |
| Richardson: |
Pamela or
Clarissa |
| Fielding: |
Joseph Andrews
or Tom Jones |
| Sterne: |
Tristram Shandy
or Sentimental Journey |
| |
| |
Restoration and Eighteenth-Century Drama:
Two of the following: |
| Congreve: |
The Way of the
World |
| Goldsmith: |
She Stoops to
Conquer |
| Wycherley: |
The Country
Wife |
| Etherege: |
The Man of
Mode |
| Romantics |
| |
| Blake: |
Marriage of
Heaven and Hell,
Songs of Innocence, Songs of Experience |
| |
| Wordsworth: |
Preface to Lyrical
Ballads, “Tintern Abbey,”
“Ode: Intimations of Immortality” Sonnets: “The World Is
Too Much with Us,” “Composed on Westminster Bridge, September 3,
1802,” “London, 1802,” “It Is a Beauteous
Evening,”
“Nuns Fret Not at Their Convent’s Narrow Room” |
| |
| Coleridge: |
“The Rime of
the Ancient Mariner,” “Dejection:
An Ode,” Biographica Literaria Chapter XIV |
| |
| Byron: |
Childe Harold
Canto I, Don Juan Canto I |
| |
| Shelley: |
A Defence of
Poetry, “Hymn to Intellectual Beauty,”
“Ode to the West Wind” |
| |
| Keats: |
“Ode to
Apollo,” “Ode to Psyche,” “Ode
to a Nightingale,” “Ode on a Grecian Urn,”
“Ode on Melancholy,”
“The Eve of St. Agnes,” “To Autumn” |
| Victorians and Nineteenth
Century |
| |
| Carlyle: |
Heroes and
Hero-Worship (especially “The Hero as
Poet”) |
| |
| Tennyson: |
In Memoriam
(anthology selections), “Ulysses,”
“The Lotos-Eaters,” “Tithonus” |
| |
| Robert
Browning: |
“My Last Duchess,” “The Bishop Orders
His
Tomb,” “Fra Lippi Lippi,” “Andrea del
Sarto” |
| |
Elizabeth
Barrett Browning: |
anthology selections, “The Cry of the
Children” |
| |
| Christina
Rossetti: |
anthology selections
(especially “Goblin Market”) |
| |
| Arnold: |
“The Function
of Criticism at the Present Time,” “The
Study of Poetry,” Culture of Anarchy Chs. I-IV,
“Dover Beach,”
“Scholar Gypsy” |
| |
| |
Nineteenth-Century Novel:
One novel by each of the following authors: |
| Austen: |
Pride and
Prejudice or Emma recommended |
| Dickens: |
Great
Expectations or Our Mutual Friend recommended |
| Eliot: |
Middlemarch or
The Mill on the Floss recommended |
| Hardy: |
Jude the
Obscure or Tess of the d’Urbervilles
recommended |
| Twentieth Century |
| |
| One
major fiction by each of the following authors: |
| Conrad: |
Heart of
Darkness or Lord Jim recommended |
| Joyce: |
A Portrait of the
Artist as a Young Man or Ulysses recommended |
| Lawrence: |
The Rainbow or
Women in Love recommended |
| Woolf: |
To the
Lighthouse or Mrs. Dalloway recommended |
| |
| Fictions by two more of the following modern
authors: |
| Bowen,
Ford, Forster, Greene, Huxley,
Mansfield, Orwell, Waugh, Wells |
| |
| Fictions by two more of the following contemporary
authors: |
| Amis
(Kingsley or Martin), Atwood, Beckett, Burgess, Durrell, Fowles,
Golding, Gordimer, Lessing, Munro, Murdoch,
Pym, Rushdie |
| |
Poetry: Anthology selections from each of the
following: |
| Auden,
Hardy, Hopkins, Yeats |
| |
| Anthology selections from two or more of the
following: |
| Brooke,
Gunn, Heaney, Hughes, Kipling, Larkin, Owen, Sassoon, Smith, Dylan
Thomas |
| |
| Drama: |
| Beckett: |
Waiting for
Godot |
| Pinter: |
One play |
| Shaw: |
One play |
| Wilde: |
The Importance of
Being Earnest |
| |
| One
more drama from on of the following playwrights: |
| Brenton, Churchill, Eliot, Gray, Hare, Osborne, Peter
Shaffer, Stoppard, Synge,
Yeats |
| Colonial and Eighteenth
Century |
| |
| Native
American creation myths (anthology selections) |
| |
| Captivity narratives (anthology
selections) |
| |
| Anthology selections for each of the
following: |
| William
Bradford, John Winthrop, Anne Bradstreet, Jonathan Edwards, Edward
Taylor |
| |
| Franklin: |
Autobiography,
Parts I, II |
| |
| Paine: |
Age of Reason
(anthology selections) |
| |
| Irving: |
“The Legend of
Sleepy Hollow” or “Rip Van Winkle,”
and A History of New York by Diedrich Knickerbocker
(anthology selections) |
| |
| Cooper: |
One novel |
| Romantics |
| |
| Poe: |
“Philosophy of
Composition,”
“Ligeia,” “The Fall of the House of Usher,”
poetry (anthology
selections) |
| |
| Emerson: |
“Nature,”
“The American Scholar,” “The
Poet,” “Self-Reliance” |
| |
| Thoreau: |
Walden, “Civil
Disobedience” (“Resistance to Civil
Government”) |
| |
| Hawthorne: |
The Scarlet Letter,
“Young Goodman Brown,” “My
Kinsman, Major Molineux,” “The Artist of the
Beautiful” |
| |
| Melville: |
Billy Budd,
Moby Dick, “Hawthorne and His Mosses” |
| |
| Whitman: |
Song of
Myself, “Out of the Cradle Endlessly
Rocking” |
| |
| Dickinson: |
(anthology
selections) |
| Realism and Naturalism |
| |
| Douglass: |
slave narratives |
| |
| Twain
(Clemens): |
Adventures of
Huckleberry Finn |
| |
| Crane: |
The Red Badge of
Courage |
| |
| |
| One
novel by one of the following authors: |
| Dreiser: |
Sister Carrie
or An American Tragedy recommended |
| Norris: |
McTeague or
The Octopus recommended |
| |
| |
| One
novel by one of the following authors: |
| Alcott,
Stowe, Chopin, Wharton |
| Modern and Contemporary |
| |
| One
major fiction by each of the following authors: |
| Faulkner: |
The Sound and the
Fury or Absalom, Absalom! recommended |
| Fitzgerald: |
The Great
Gatsby |
| Hemingway: |
The Sun Also
Rises or A Farewell to Arms recommended |
| James: |
The Portrait of a
Lady or The Golden Bowl recommended |
| Morrison: |
Beloved
recommended |
| O’Connor: |
One fiction |
| |
| |
| One
novel by the following authors: |
| Wright,
Ellison, Baldwin |
| |
| |
| Fictions by two more of the following modern
authors: |
| Henry
Adams, Anderson, Barnes, Cather, Dos Passos, Sinclair Lewis, Porter,
Stein,
Steinbeck, Toomer, West |
| |
| |
| Fictions by two more of the following contemporary
authors: |
| Barth,
Bellow, William S. Burroughs, Capote, Carver, DeLillo, Didion,
Doctorow,
Gaddis, Kerouac, Kingston, McCullers, Mailer, Malamud, Henry Miller, Momaday,
Nabokov, Oates, Pynchon, Rivera, Silko, Styron, Updike, Walker,
Welty |
| |
| |
Poetry: Anthology selections from each of the
following: |
| Eliot,
Frost, Robert Lowell, Plath, Pound, Rich, Stevens,
Williams |
| |
| |
| Anthology selections from two more of the
following: |
| Ashbery, Baraka, Bishop, Cervantes, Cummings, Dickey,
Ginsberg, H.D., Hughes,
Lorde, Moore, Roethke, Sexton, Warren |
| |
| |
Drama: One play by each of the following
authors: |
| Albee: |
Who’s Afraid
of Virginia Woolf recommended |
| Miller: |
Death of a
Salesman recommended |
| O’Neill: |
Long Day’s
Journey into Night recommended |
| Williams: |
A Streetcar Named
Desire recommended |
| |
| |
| One
play by one of the following: |
| Hansberry, Henley, Inge, Mamet, Rabe, Shepard, Wilder,
Wilson |
| Akmajian, Adrian, et al. Linguistics:
An Introduction to Language and Communication. 5th ed.
Cambridge, MA: MIT,
2001. |
| |
| Brown,
Douglas. Principles of
Language Learning and Teaching. Englewood Cliffs, NJ: Prentice
Hall Regents,
4th ed., 2000. |
| |
| Oakes,
Dallin. Linguistics at
Work: A Reader of Applications. New York: Harcourt Brace,
1998. |
| |
| Short,
Mick. Exploring the Language
of Poems, Plays, and Prose. London & New York: Longman,
1996. |
| |
| Traugott, Elizabeth, and Mary Pratt.
Linguistics for Students of Literature. San Diego: Harcourt
Brace Jovanovich,
1980. |
| Current
Reading List for ENGLISH 505:
Seminar in Composition Theory. |
|