Humanities 320

This is the main page for Humanities 320, Values, Media, and Culture

The course used to be numbered Humanities 410. From this page, you can go to the other linked pages listed below for this course. All of these pages will give you more detailed information about the course and to a number of important resources.

Humanities 320 is currently scheduled to be offered in the Fall quarter of 2004, by JOEL WESTWOOD> His e mail is jwestwoo@calpoly.edu

Go to Syllabus page
Go to Course Objectives
Go to Panic page
Go to Why Read Jane Austen
Go to Can I put my Barbie in the blender?
Go to I Want To Read More
About Richard Keller Simon
Advice from former students

 

 

 

 

Important Popular Culture Course Materials

Dick Simon's Trash Culture thesis

What other examples of high and low are there, that demonstrate a close similarity between great books and popular entertainments that are only briefly described or not mentioned at all in Richard Simon's Trash Culture?

1. Here is the full plot of Oliver Stone's 1986 movie Platoon which Richard Simon argues in Trash Culture is based on Shakespeare's I Henry IV.

2. Here is the full plot of the first James Bond movie (from 1962) Dr. No which is extremely similar to the plot (but not the form) of Joseph Conrad's complex modernist novel Lord Jim

3. Here are materials for understanding Francis Ford Copola's Godfather movies as a brilliant and systematic reworking of Aeschylus's The Orestia.

Godfather One

Godfather Two

Godfather Three

Help for Godfather Three

Orestia and Godfather intial comparisons

Orestia and Godfather more detailed comparisons

4 Here are materials about the 1999 movie American Beauty, which is at once a brilliant reworking of Romeo and Juliet, and of the Ice Storm. Rebel Without a Cause is included here since it too is a cinematic reworking (also brilliant) of Romeo and Juliet, and American Beauty may make reference to it as well. American Beauty also manages a criticism of consumer society that is similar to the main ideas of The Society of the Spectacle.

American Beauty 1999

Romeo and Juliet

Rebel Without a Cause 1955

Ice Storm (movie) 1997

Society of the Spectacle 1967

American Beauty compared to Romeo and Juliet

American Beauty compared to The Ice Storm (movie)

4.The example of Jane Austen is important and ongoing because so many people rewrite Jane Austen in so many different ways.

The Historical Response to Jane Austen

Class in the novels of Jane Austen

Jane Austen brief biography

Clueless plot summary

Emma plot summary

Past Passion, a typical Harlequin Romance

Craving Jamie, another typical Harlequin

Dark Heritage, another Harlequin

Sweet Valley University

Austen novel vs Cosmopolitan

5. Here are materials for understanding the movie Seven as a brilliant adapation of Dante's Inferno:

A Starting Place (brief) by Richard Simon: How Seven reworks The Inferno

1996 Seven plot outline

Script of Seven

Dante Inferno main plot elements

Comparison chart, Inferno and Seven

 

Key Critical Ideas for the Study of Popular Culture

(1) An Introduction to the Study of Popular Culture

Go to Popular Culture Intro

(2) The Function of Communication

James Carey Communication as Culture 1989

(3) The Function of Entertainment

Richard Dyer Entertainment 1992

(4) The Function of Art

Selections from Raymond Williams The Long Revolution 1961

(5) The Function of Play

Schiller's concept of Play and its Relation to Plato

(6) The Function of Sport

George Carlin, Football and Baseball

Bart Giamatti, Take Time for Paradise 1989

(7) The Dangers of the Media

Gerbner on TV as Storyteller

Gerbner on Media Violence

Gerbner on Question

(8) The Rise of a Consumer Society 1880-1900

Warren Susman on Rise of Consumer Culture

Jackson Lears on Culture of Consumption 1983

Alan Trachtenberg on Department Stores

Susan Benson on History of Department Stores

William Leach on: Land of Desire 1993

(9) How Advertisers see America

the VALS Categories

(10) The Debate over Pornography

Critics of Pornography One

Critics of Pornography Two

(11) The Problem posed by Children's Stories

Cinderella Grimm Brothers version

Snow White, Grimm Brothers version

(12) Influential Critic on Story Design (esp for filmmakers)

Joseph Campbell, Hero with a Thousand Faces

(13) The Debate over Hollywood. Three film scholars Robert Sklar, Thomas Schatz, and . take very different positions on the nature of the classical Hollywood film period.MORE COMING HERE

Sklar City Boys

(14) Arguments over Romance Stories. A brief introduction to the debate between Tania Modleski and Janice Radway over the nature of romance, and its good or bad effects on women readers.

Modleski and Radway

REFERENCES

CRITICS, Current, many brief introductions

Critics Recent A-L

Critics Recent M-Z

 

The Arguments Over Mass Culture, by time period

THE ARGUMENTS over mass culture, popular culture, entertainment, mass media, the culture industry, and related issues from antiquity to the early 21st Century. Emphasis is on the debates within the United States after 1900. Along with critical essays and books, this chronology also includes relevant novels, plays, and films that are about the entertainment industry in some substantial way. A chronology prepared by Richard Keller Simon.

Antiquity  
1400-1799 late 18th century American critics (work in progress)
1800-1859 1800-1859 (work in progress)
1860-1879 1860-1879 (work in progress)
1880-1899 1880-1899 (work in progress)
1900-1909 1900-09 (work in progress)
1910-1919 1910-1919 (work in progress)
1920-1229 1920-1929 (work in progress)
1930-1939 Debates on Mass Culture 1930-1939
1940-1949 Investigating Mass Culture 1940-1949
1950-1959 Handwringing over Mass Culture 1950-1959
1960-1969 1960-1969 (work in progress)
1970-1979 1970-1979 (work in progress)
1980-1989 1980-1989 (work in progress)
1990-1999 1990-1999 (work in progress)
2000- 2000 and beyond
   

 

SPECIAL MENTION: Woody Allen Woody Allen produced, between Play it Again Sam in 1969 and Deconstructing Harry in 1997 an extraordinary sequence of movies, all of which were made in imitation of the great styles of moviemaking, many of which are explicitly concerned with the function and or meaning of popular culture (Interiors, for example), the power of movies (The Purple Rose of Cairo), the frustration of writing for television (Hannah and Her Sisters), and the enveloping nature of popular culture (Radio Days).

Allen and Ingmar Bergman

Woody Allen's substantial debt to Ingmar Bergman

Allen's work

1965 What’s New Pussycat?
1966 What’s up Tiger Lily?
1969 Take the Money and Run

1969 Play it Again Sam (the play on Broadway, to compare to the 1972 movie)
1971 Bananas
1972 Play it Again Sam
1972 Everything you Always Wanted to Know about Sex
1973 Sleeper
1975 Love and Death
1977 Annie Hall
1978 Interiors
1979 Manhattan
1980 Stardust Memories
1982 Midsummer Night’s Sex Comedy
1983 Zelig
1984 Broadway Danny Rose
1985 Purple Rose of Cairo
1986 Hannah and her Sisters
1987 Radio Days

Comparisons Hannah and Her Sisters /Radio Days

Allen's Debt to Neil Simon for Radio Days:

Neil Simon's play Brighton Beach Memoirs

Neil Simon's play Broadway Bound

Allen's use of Neil Simon's Brighton Beach Memoirs for Radio Days

1987 September
1989 Crimes and Misdemeanors
Another Woman
New York Stories (with Francis Ford Coppola and Martin Scorcese)
Alice
1992 Shadows and Fog
1993 Manhattan Murder Mystery

For Manhattan Murder Mystery. See Lady from Shanghai


Manhattan Murder Mystery
1994 Bullets Over Broadway
Mighty Aphrodite
Everyone says I Love You
1997 Deconstructing Harry

For Deconstructing Harry, See Ingmar Bergman's Wild Strawberries


Celebrity
Sweet and Lowdown
Small Time Crooks
Curse of the Jade Scorpion

Hollywood Ending

etc